Zobrazeno 1 - 10
of 27
pro vyhledávání: '"Elsie Walker"'
Autor:
Elsie Walker
Publikováno v:
Alphaville: Journal of Film and Screen Media, Iss 27, Pp 206-222 (2024)
This article revolves around two soundtracks Walker has admired along with the person to whom this issue of Alphaville is dedicated: Danijela Kulezic-Wilson. The soundtracks come from Soul by Pete Docter and Kemp Powers and Nomadland by Chloé Zhao,
Externí odkaz:
https://doaj.org/article/637bad2c7b8040a68b1e15b0c0984b22
Autor:
Elsie Walker, Gillian B. Anderson, Ronald H. Sadoff, K. J. Donnelly, Liz Greene, Randolph Jordan, James Denis Mc Glynn, Miguel Mera, Aimee Mollaghan, Katherine Spring
Publikováno v:
Music and the Moving Image. 16:22-36
Autor:
Elsie Walker
Publikováno v:
BACH: Journal of the Riemenschneider Bach Institute. 50:303-307
Autor:
Elsie Walker
Publikováno v:
The Oxford Handbook of Cinematic Listening ISBN: 0190853611
This chapter analyzes embodied listening from a pedagogical and unusually personal, feminist point-of-view. It explores how two parts of the author’s identity (being a mother, and being a daughter whose mother died) teach her to hear cinema anew al
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::948277ee19d85c8b9089ea26a5e1b292
https://doi.org/10.1093/oxfordhb/9780190853617.013.26
https://doi.org/10.1093/oxfordhb/9780190853617.013.26
Autor:
Elsie Walker
Life 24x a Second highlights the life-sustaining and life-affirming power of cinema. Author Elsie Walker pays particular attention to pedagogical practice and students'reflections on what the study of cinema has given to their lives. This book provid
Autor:
Elsie Walker
This chapter is the culminating analysis of the book because Amour incorporates many sonic patterns that are representative of Haneke’s work, though it also handles these same patterns in surprising ways. The film features Haneke’s most subtly an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::35cbe7012c9782807c42ac952f871073
https://doi.org/10.1093/oso/9780190495909.003.0009
https://doi.org/10.1093/oso/9780190495909.003.0009
Autor:
Elsie Walker
Publikováno v:
Oxford Scholarship
This chapter focuses on The Piano Teacher as a complex, intertextual adaptation that draws from numerous sources, both directly and indirectly. The film clearly parallels and amplifies the sonic descriptions of an original novel by Elfriede Jelineke.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c0cb199d81d9812483395bc996173f5a
https://doi.org/10.1093/oso/9780190495909.003.0006
https://doi.org/10.1093/oso/9780190495909.003.0006
Autor:
Elsie Walker
This chapter analyzes Code Unknown from a postcolonial perspective, with particular emphases on multiethnic voices, disempowered sonic presences, and cross-cultural possibilities of communication in the context of racial politics in contemporary Fran
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f107ca8f25b912b8ee6f5c1e89b3557e
https://doi.org/10.1093/oso/9780190495909.003.0005
https://doi.org/10.1093/oso/9780190495909.003.0005
Autor:
Elsie Walker
This chapter is a sonic analysis of Caché as an important postcolonial statement, one that attempts to redress historical injustices by amplifying the buried truths, and the ongoing fallout, of France’s colonial legacy. More specifically, the chap
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3d913b28103184c264040a10980d22ed
https://doi.org/10.1093/oso/9780190495909.003.0007
https://doi.org/10.1093/oso/9780190495909.003.0007
Autor:
Elsie Walker
The introduction cites numerous critical responses to Michael Haneke that wrongly assume his emotional coldness and misanthropic outlook. Though his films are notorious for subjecting us to harsh experiences of violence, this book establishes a moral
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::080e11fefe39a5e278d8c68dadf7af1b
https://doi.org/10.1093/oso/9780190495909.003.0002
https://doi.org/10.1093/oso/9780190495909.003.0002