Zobrazeno 1 - 10
of 38
pro vyhledávání: '"Ellen R. Welch"'
Autor:
Ellen R Welch
Publikováno v:
French Studies. 76:175-192
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::626a3ac39f3405b6b0c765ce48a2c472
https://doi.org/10.1093/fs/knac021
https://doi.org/10.1093/fs/knac021
Autor:
Ellen R Welch
Publikováno v:
French Studies. 77:126-127
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6c28fe33cc8d1d8d22f82f804a46f1c1
https://doi.org/10.1093/fs/knac255
https://doi.org/10.1093/fs/knac255
Autor:
Ellen R. Welch
Publikováno v:
Renaissance Quarterly. 73:567-594
This essay explores how two early modern French writers considered choral music in opera as a figure for society. Pierre Corneille, in his musical tragedy “Andromède,” and scientist and critic Claude Perrault, in several texts about music and ac
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6047ef7b4a724efdd31643aa3b92cf60
https://doi.org/10.1017/rqx.2020.5
https://doi.org/10.1017/rqx.2020.5
Autor:
Ellen R. Welch
Publikováno v:
Journal for Eighteenth-Century Studies. 45:398-399
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::033d7a381b45acf796e4d2311a58607b
https://doi.org/10.1111/1754-0208.12844
https://doi.org/10.1111/1754-0208.12844
Autor:
Ellen R. Welch
Publikováno v:
Eighteenth-Century Studies. 51:437-452
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c6b031fe3d1aac5ab89a1f9efd8088f5
https://doi.org/10.1353/ecs.2018.0012
https://doi.org/10.1353/ecs.2018.0012
Autor:
Ellen R. Welch
Publikováno v:
Early Modern French Studies. 39:17-30
Court ballet after the Fronde has been understood as a technique for subjugating nobles, literally and metaphorically keeping them dancing in the monarch's orbit. This essay reconsiders ballet's ro...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1fe3466578a4baf153a8f88a18cd1642
https://doi.org/10.1080/20563035.2017.1318815
https://doi.org/10.1080/20563035.2017.1318815
Publikováno v:
Renaissance and Reformation. 41:222-224
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cf375daf9466c671e6099660b54c8c98
https://doi.org/10.33137/rr.v41i2.29878
https://doi.org/10.33137/rr.v41i2.29878
Autor:
Ellen R. Welch
The seventeenth-century French diplomat François de Callières once wrote that'an ambassador resembles in some way an actor exposed on the stage to the eyes of the public in order to play great roles.'The comparison of the diplomat to an actor becam
Autor:
Ellen R. Welch
Publikováno v:
A Theater of Diplomacy: International Relations and the Performing Arts in Early Modern France
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::559dbf7f44d47b186fe5db85b351936a
https://doi.org/10.9783/9780812293869-005
https://doi.org/10.9783/9780812293869-005
Autor:
Ellen R. Welch
Publikováno v:
A Theater of Diplomacy: International Relations and the Performing Arts in Early Modern France
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bb4c78d38a02aa4ab6ff47f1a7f982ac
https://doi.org/10.9783/9780812293869-004
https://doi.org/10.9783/9780812293869-004