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pro vyhledávání: '"Ellen Lockhart"'
Autor:
Ellen Lockhart
This path-breaking study of stage works in Italian musical performances reconsiders a crucial period of music history. Through an interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas in
Autor:
J. Q. Davies, Ellen Lockhart
What does it mean to hear scientifically? What does it mean to see musically? This volume uncovers a new side to the long nineteenth century in London, a hidden history in which virtuosic musical entertainment and scientific discovery intersected in
Autor:
Ellen Lockhart
Publikováno v:
Journal of Musicological Research. 40:253-261
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8086fd78091a31c0c2658cb6219478b8
https://doi.org/10.1080/01411896.2021.1949312
https://doi.org/10.1080/01411896.2021.1949312
Autor:
Ellen Lockhart
Publikováno v:
Representations. 150:120-141
There are two kinds of thing called the wolf: one is acoustic and music adjacent; the other is biomaterial. Together, they are an instance of what Donna Haraway called “figures”: that is, “material-semiotic nodes or knots in which diverse bodie
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c61dce62aea589a0e3307f0434829638
https://doi.org/10.1525/rep.2020.150.1.120
https://doi.org/10.1525/rep.2020.150.1.120
Autor:
Ellen Lockhart
Publikováno v:
Cambridge Opera Journal. 28:251-254
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a7b3a20c3d249487e0660968d5cca087
https://doi.org/10.1017/s0954586716000343
https://doi.org/10.1017/s0954586716000343
Autor:
Ellen Lockhart
Publikováno v:
Isis. 110:574-575
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2077bb79d0c30a3587c54319a82004fb
https://doi.org/10.1086/704555
https://doi.org/10.1086/704555
Autor:
Ellen Lockhart
Publikováno v:
Representations. 132:95-103
This article brings together two instances of “quirk” objects that are remote from one another in genre and time (Rousseau’s Pygmalion and a Busby Berkeley dance number), in order to put pressure on the explanatory power of historical context w
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::54ddc44587fe360804f312f9f50ae64d
https://doi.org/10.1525/rep.2015.132.1.95
https://doi.org/10.1525/rep.2015.132.1.95
Autor:
Ellen Lockhart
Publikováno v:
Animation, Plasticity, and Music in Italy, 1770-1830
Chapter 3 considers two novels—Alessandro Verri’s Le notti romane (1804) and de Staël’s Corinne, ou l’Italie (1807)—that were concerned with defining Italy politically. These novels can be seen to develop a new and distinct model of the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7eda4bd9667c45352256963be8d92f0b
https://doi.org/10.1525/california/9780520284432.003.0004
https://doi.org/10.1525/california/9780520284432.003.0004
Autor:
Ellen Lockhart
This chapter traces the reception of Rousseau’s melodrama Pygmalion on the Italian peninsula during the final decades of the eighteenth century. It argues that these decades also saw a renewed impetus for a revival of the ancient Greek and Roman sp
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d9d3170ff679b55daa7eb0ebf592cc68
https://doi.org/10.1525/california/9780520284432.003.0003
https://doi.org/10.1525/california/9780520284432.003.0003