Zobrazeno 1 - 10
of 108
pro vyhledávání: '"Elizabeth Boa"'
Autor:
Heike Bartel, Elizabeth Boa
Pushing at Boundaries presents approaches to women writers who have recently had a big impact in shaping the contemporary literary field in Germany. The opening chapters offer the first extensive consideration of Karen Duve's work, including an excer
Autor:
Elizabeth Boa
Publikováno v:
German Life and Letters. 72:14-27
Autor:
Elizabeth Boa, Heike Bartel
Publikováno v:
The Short Story in German in the Twenty-First Century ISBN: 9781787448759
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4826f6d7eb1f74f12ef6a2c8f9eac326
https://doi.org/10.2307/j.ctv12sdxs5.15
https://doi.org/10.2307/j.ctv12sdxs5.15
Autor:
Elizabeth Boa
Publikováno v:
Nachexil / Post-Exile
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::86d018037f2c3c737aeb3b3c8858f5e7
https://doi.org/10.1515/9783110688030-020
https://doi.org/10.1515/9783110688030-020
Autor:
Elizabeth Boa
Publikováno v:
Oxford German Studies. 47:366-379
The six stories in Ulrike Almut Sandig's Buch gegen das Verschwinden, each multi-layered in itself, are linked by leitmotifs so making a cycle that invites repeated reading, rather as a symphony in...
Autor:
Elizabeth Boa
Publikováno v:
The Leo Baeck Institute Year Book. 63:101-118
Autor:
Elizabeth Boa
Publikováno v:
German Life and Letters. 70:137-154
Drawing on the narrative theories of E. M. Forster, Paul Ricoeur and others, this essay explores structural affinities in fiction by Kleist and Kafka. Kafka's ‘Kleine Fabel’ serves as a miniature model of the interplay of time and space in story
Autor:
Elizabeth Boa
Publikováno v:
Oxford German Studies. 46:25-41
The New Woman in the work of Mascha Kaleko, Hannah Hoch, and Irmgard Keun appears both as the satirist attacking the misogyny of a superseded patriarchy and as the butt of satire as a puppet of mod...
Autor:
Heike Bartel, Elizabeth Boa
Anne Duden's reputation as one of the most innovative writers of her generation, established in 1982 with the experimental stories in Übergang, was confirmed in 1985 by Das Judasschaf, a novel interweaving an individual's anguish with the cultural t