Zobrazeno 1 - 10
of 37
pro vyhledávání: '"Eliot Bates"'
Autor:
Eliot Bates
Publikováno v:
El Oído Pensante, Vol 7, Iss 1 (2019)
Este artículo se pregunta qué es cultural en un estudio de grabación y en qué medida la interculturalidad resulta útil para examinar los encuentros en un estudio y, por extensión, en otras formas de trabajo artístico-tecnológico. Voy a demons
Externí odkaz:
https://doaj.org/article/bd040c1f9d994cc28d23e9fb17ea6604
Autor:
Eliot Bates
Publikováno v:
IASPM Journal, Vol 3, Iss 2, Pp 15-32 (2013)
Building on Philip Tagg’s timely intervention (2011), I investigate four things in relation to three dominant Anglophone popular music studies journals (Popular Music and Society, Popular Music, and the Journal of Popular Music Studies): 1) what in
Externí odkaz:
https://doaj.org/article/bb14664538694f289e4e0fe54466ad59
Autor:
Samantha Bennett, Eliot Bates
Who produces sound and music? And in what spaces, localities and contexts? As the production of sound and music in the 21st Century converges with multimedia, these questions are critically addressed in this new edited collection by Samantha Bennett
Autor:
Eliot Bates, Samantha Bennett
Publikováno v:
Convergence: The International Journal of Research into New Media Technologies. 28:1241-1259
Despite a predominantly digital, 21st century music production landscape, analogue hardware professional audio technologies persist. In the discoursal throes of the leading online audio technology message forum Gearslutz, such technologies are routin
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::341c3cff5dfcf142982087b3232f520c
https://doi.org/10.1177/13548565221104445
https://doi.org/10.1177/13548565221104445
Autor:
Eliot Bates
Publikováno v:
Popular Music. 39:66-87
Understanding how recorded and amplified stage musics contribute towards producing the Anthropocene necessitates attending to complex transnational flows of material, capital and labor, and how they coalesce into technological objects. This is compli
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::18e28e1a4cf13f60828de4e79eedeb8d
https://doi.org/10.1017/s0261143019000564
https://doi.org/10.1017/s0261143019000564
Autor:
Eliot Bates
Publikováno v:
Asian Music. 51:121-125
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b9f69031d2a59f01ecc28ccc2f761022
https://doi.org/10.1353/amu.2020.0005
https://doi.org/10.1353/amu.2020.0005
Autor:
Eliot Bates
Publikováno v:
Journal of Cultural Economy. 13:690-708
Why would anyone purchase expensive, natural resource-intensive, and seemingly obsolete material carriers of music when streaming providers provide unlimited access to over 40 million songs for a s...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b04402cc381c99bf9179026196430204
https://doi.org/10.1080/17530350.2019.1668822
https://doi.org/10.1080/17530350.2019.1668822
Autor:
Eliot Bates
Publikováno v:
Rethinking Music through Science and Technology Studies
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::aa58b1c667bf1868e90920e7184f7c51
https://doi.org/10.4324/9780429268830-11
https://doi.org/10.4324/9780429268830-11
Autor:
Eliot Bates
Publikováno v:
The Oxford Handbook of the Creative Process in Music ISBN: 9780190636197
Recording production is a complex, multistep, typically collaborative process that entails a shifting set of individuals inhabiting changing roles within spaces that house considerable amounts of specialized technology. As these roles and technologie
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::aa64cac5e386141a9f4effb314310bae
https://doi.org/10.1093/oxfordhb/9780190636197.013.32
https://doi.org/10.1093/oxfordhb/9780190636197.013.32