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pro vyhledávání: '"Elijah Wald"'
Autor:
Elijah Wald
Praised as'suave, soulful, ebullient'(Tom Waits) and'a meticulous researcher, a graceful writer, and a committed contrarian'(New York Times Book Review), Elijah Wald is one of the leading popular music critics of his generation. In The Blues, Wald su
Autor:
Elijah Wald
'There are no definitive histories,'writes Elijah Wald, in this provocative reassessment of American popular music,'because the past keeps looking different as the present changes.'Earlier musical styles sound different to us today because we hear th
Autor:
Elijah Wald
Born in South Carolina, White spent his childhood as a lead boy for traveling blind bluesmen. In the early'30s he moved to New York and became a popular blues star, then introduced folk-blues to a mass white audience in the 1940s. He was famed both f
Autor:
Elijah Wald
A bestselling music historian follows Jelly Roll Morton on a journey through the hidden worlds and forbidden songs of early blues and jazz. In Jelly Roll Blues: Censored Songs and Hidden Histories, Elijah Wald takes readers on a journey into the hi
Autor:
Elijah Wald
Publikováno v:
Long Walk Home
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d292895de94c71d269b12cc2e2a7d7fb
https://doi.org/10.36019/9781978805309-022
https://doi.org/10.36019/9781978805309-022
Autor:
Elijah Wald
Taboo is used in many cultures to cement familial and other relationships, not only by observing taboos but by selectively breaking them. Probably the most common form of societally sanctioned taboo-breaking is within what anthropologists call joking
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3294bf25547b65dd7ac10e56e7a54dbb
https://doi.org/10.1093/oxfordhb/9780198808190.013.18
https://doi.org/10.1093/oxfordhb/9780198808190.013.18
The companion book to the groundbreaking PBS and BBC documentary series celebrating the pioneers and artists of American roots music—blues, gospel, folk, Cajun, Appalachian, Hawaiian, Native American—without which there would be no jazz, rock, co
Autor:
Elijah Wald
Publikováno v:
Agora. 31:279-300
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f60d2270cc640410965525df8b491754
https://doi.org/10.18261/issn1500-1571-2013-01-02-14
https://doi.org/10.18261/issn1500-1571-2013-01-02-14
Autor:
Elijah Wald
One of the music world's pre-eminent critics takes a fresh and much-needed look at the day Dylan “went electric” at the Newport Folk Festival, timed to coincide with the event's fiftieth anniversary.On the evening of July 25, 1965, Bob Dylan took