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Publikováno v:
Journal of cultural heritage 8 (2007): 215–222. doi:10.1016/j.culher.2007.04.001
info:cnr-pdr/source/autori:CHASSAGNE P.; BOU-SAID E.; CECCOTTI A.; JULLIEN J.F.; TOGNI M./titolo:The contribution of numerical simulation for the diagnosis of the conservation of art objects: Application to Antonio Santucci's armillary sphere of the 16th century/doi:10.1016%2Fj.culher.2007.04.001/rivista:Journal of cultural heritage/anno:2007/pagina_da:215/pagina_a:222/intervallo_pagine:215–222/volume:8
info:cnr-pdr/source/autori:CHASSAGNE P.; BOU-SAID E.; CECCOTTI A.; JULLIEN J.F.; TOGNI M./titolo:The contribution of numerical simulation for the diagnosis of the conservation of art objects: Application to Antonio Santucci's armillary sphere of the 16th century/doi:10.1016%2Fj.culher.2007.04.001/rivista:Journal of cultural heritage/anno:2007/pagina_da:215/pagina_a:222/intervallo_pagine:215–222/volume:8
Antonio Santucci's armillary sphere is one of the symbols of the wealth of the world cultural heritage: it is an elaborate representation of the geocentric universe as it was known at that time. Its exceptional dimensions (more than 3 meters high) ma