Zobrazeno 1 - 4
of 4
pro vyhledávání: '"Eleonora Cerafogli"'
Autor:
Andrea Macchia, Eleonora Cerafogli, Laura Rivaroli, Irene Angela Colasanti, Hélène Aureli, Chiara Biribicchi, Valeria Brunori
Publikováno v:
Analytica, Vol 3, Iss 4, Pp 406-429 (2022)
In spite of the application of different cleaning procedures, the marble used for the portrait bust of Queen Margherita di Savoia continued to show permanent discoloration, consisting of an unevenly distributed grayish alteration, mainly on the front
Externí odkaz:
https://doaj.org/article/1dbd35d0cb0640aca24f0b313dbd8e14
Autor:
Andrea Macchia, Chiara Biribicchi, Laura Rivaroli, Hélène Aureli, Eleonora Cerafogli, Irene Angela Colasanti, Paola Carnazza, Giuseppe Demasi, Mauro Francesco La Russa
Publikováno v:
Methods and Protocols, Vol 5, Iss 3, p 52 (2022)
In this study, the investigation of the oil painting on canvas I Tesori del Mare made by Plinio Nomellini in 1901 is presented. The aim of the research was threefold: the examination of the state of conservation in view of the restoration treatment,
Externí odkaz:
https://doaj.org/article/58118578babb45b6936a47f9acaa128f
Autor:
Andrea Macchia, Hélène Aureli, Fernanda Prestileo, Federico Ortenzi, Shaila Sellathurai, Antonella Docci, Eleonora Cerafogli, Irene Angela Colasanti, Michela Ricca, Mauro Francesco La Russa
Publikováno v:
Methods and Protocols, Vol 5, Iss 3, p 37 (2022)
Bio-colonization is a dynamic and multiphasic process headed by microorganisms. Conventional treatments to process affected stone materials include chemical biocides, whose formulations are mainly composed of quaternary ammonium salts(QAs), reported
Externí odkaz:
https://doaj.org/article/5ec653d16be743aaa8c77a88a4900852
Autor:
Andrea Macchia, Chiara Biribicchi, Paola Carnazza, Stefania Montorsi, Nausicaa Sangiorgi, Giuseppe Demasi, Fernanda Prestileo, Eleonora Cerafogli, Irene Angela Colasanti, Helene Aureli, Margherita Zappelli, Michela Ricca, Mauro Francesco La Russa
Publikováno v:
Sustainability; Volume 14; Issue 7; Pages: 3972
Sustainability (Basel) 14 (2022): 3972–3990. doi:10.3390/su14073972
info:cnr-pdr/source/autori:Andrea Macchia, Chiara Biribicchi, Paola Carnazza, Stefania Montorsi, Nausicaa Sangiorgi, Giuseppe Demasi, Fernanda Prestileo, Eleonora Cerafogli, Irene Angela Colasanti, Helene Aureli, Margherita Zappelli, Michela Ricca, Mauro Francesco La Russa/titolo:Multi-Analytical Investigation of the Oil Painting "Il Venditore di Cerini" by Antonio Mancini and Definition of the Best Green Cleaning Treatment/doi:10.3390%2Fsu14073972/rivista:Sustainability (Basel)/anno:2022/pagina_da:3972/pagina_a:3990/intervallo_pagine:3972–3990/volume:14
Sustainability (Basel) 14 (2022): 3972–3990. doi:10.3390/su14073972
info:cnr-pdr/source/autori:Andrea Macchia, Chiara Biribicchi, Paola Carnazza, Stefania Montorsi, Nausicaa Sangiorgi, Giuseppe Demasi, Fernanda Prestileo, Eleonora Cerafogli, Irene Angela Colasanti, Helene Aureli, Margherita Zappelli, Michela Ricca, Mauro Francesco La Russa/titolo:Multi-Analytical Investigation of the Oil Painting "Il Venditore di Cerini" by Antonio Mancini and Definition of the Best Green Cleaning Treatment/doi:10.3390%2Fsu14073972/rivista:Sustainability (Basel)/anno:2022/pagina_da:3972/pagina_a:3990/intervallo_pagine:3972–3990/volume:14
This paper describes the multi-analytical approach implemented for the study of the oil painting Il Venditore di Cerini made by Antonio Mancini in 1878. The research was carried out to characterize both the original stratigraphy and the alleged non-o