Zobrazeno 1 - 5
of 5
pro vyhledávání: '"Elena P. Krasovskaya"'
Autor:
Elena P. Krasovskaya, Guan Cong
Publikováno v:
Музыкальное искусство и образование, Vol 9, Iss 2, Pp 71-89 (2021)
The article addresses issues of the application of the polycontextual approach when students study the cycle “Romeo and Juliet” by S. Prokofiev in the piano class. This approach includes such important contexts as musical, literary, social, ide
Externí odkaz:
https://doaj.org/article/40880426c89c4c918de7d59182a2eeb6
Autor:
Elena P. Krasovskaya, Ho Da
Publikováno v:
Музыкальное искусство и образование, Vol 7, Iss 3, Pp 105-125 (2019)
In the article the problems of mastering the binary cycles by J. S. Bach and D. D. Shostakovich included in large-scale polyphonic collections of the composers (“Well-Tempered Clavier” and “Twenty-Four Preludes and Fugues”, opus 87) by the Ch
Externí odkaz:
https://doaj.org/article/409f50424f50461ea7c5a6ff3c30fbca
Autor:
Elena P. Krasovskaya
Publikováno v:
Музыкальное искусство и образование, Vol 7, Iss 2, Pp 109-124 (2019)
The article deals with the problems of training the composition by S. V. Rachmaninov by Chinese pianist students. It is shown that these problems are due to an insufficient level of knowledge about the traditional spiritual content of Russian culture
Externí odkaz:
https://doaj.org/article/4dafcd355e854ef192413cc2cd7b3fdd
Autor:
Elena P. Krasovskaya
Publikováno v:
Музыкальное искусство и образование, Vol 7, Iss 1, Pp 132-152 (2019)
The article examines the basic characteristics of concentration as most important property of attention of future teachers-musicians and the methods which help its effective formation during piano lessons. Studying of scientific approaches to this co
Externí odkaz:
https://doaj.org/article/089b65be24aa45a19353a731ea9d414b
Autor:
Ho Da, Elena P. Krasovskaya
Publikováno v:
Музыкальное искусство и образование, Vol 7, Iss 3, Pp 105-125 (2019)
In the article the problems of mastering the binary cycles by J. S. Bach and D. D. Shostakovich included in large-scale polyphonic collections of the composers (“Well-Tempered Clavier” and “Twenty-Four Preludes and Fugues”, opus 87) by the Ch