Zobrazeno 1 - 10 of 20 pro vyhledávání: '"Elena Abramov-van Rijk"'
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The non-Italian Ars Nova: how to read the madrigal Povero zappator by Lorenzo da Firenze
Autor: Elena Abramov-van Rijk
Publikováno v: Early Music. 48:41-54
The label ‘Ars Nova’ is not easily applicable to Italian 14th-century music, since its main characteristics, such as isorhythm, diminution, pre-existing tenors, and so on, are practically absent, with a few exceptions, from Italian musical compos
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::3af7cee8e8920b726fb3f3aadce0fe4b
https://doi.org/10.1093/em/caz093
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3
THE ITALIAN EXPERIENCE OF THE HOLY ROMAN EMPEROR CHARLES IV: MUSICAL AND LITERARY ASPECTS
Autor: Elena Abramov-van Rijk
Publikováno v: Early Music History. 37:1-44
The Italians had conflicting sentiments regarding the visit of the Holy Roman Emperor Charles IV in Italy in 1355: from the enthusiastic expectations of the impact the Emperor would have on the local political life to contemptuous scepticism and even
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::e66c0f36f6d0ccb24b3e606231332029
https://doi.org/10.1017/s0261127918000025
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5
The form of the monostrophic ballata as a frame for a logical demonstration
Autor: Elena Abramov-Van Rijk
Publikováno v: Plainsong and Medieval Music. 26:1-18
The later Trecento repertoire contains many short, monostrophic ballatas with philosophical or moralising texts. Why should the poets and composers, mostly Florentine, have preferred the ballata over the madrigal when exploring serious subjects, and
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::397e9433ae5ac8ca10f71147edddbebe
https://doi.org/10.1017/s0961137116000085
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