Zobrazeno 1 - 10
of 135
pro vyhledávání: '"Elena Abramov-van Rijk"'
Autor:
Jennings, Lauren Mcguire
Publikováno v:
Renaissance Quarterly, 2015 Dec 01. 68(4), 1493-1495.
Externí odkaz:
https://www.jstor.org/stable/10.1086/685229
Singing Dante: The Literary Origins of Cinquecento Monody. RMA Monographs, 26 Elena Abramov-van Rijk
Autor:
Pieragostini, Renata
Publikováno v:
Music & Letters, 2015 Aug 01. 96(3), 450-452.
Externí odkaz:
http://www.jstor.org/stable/24549675
Autor:
Renata Pieragostini
Publikováno v:
Music and Letters. 96:450-452
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e3413e70ee5823e7388cd24f8c10cde4
https://doi.org/10.1093/ml/gcv054
https://doi.org/10.1093/ml/gcv054
Autor:
Lauren Mcguire Jennings
Publikováno v:
Renaissance Quarterly. 68:1493-1495
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::62b3f836f7518ef22a68343bd2bcde7a
https://doi.org/10.1086/685229
https://doi.org/10.1086/685229
Autor:
Elena ABRAMOV–VAN RIJK, Chiara, Bertoglio, Gino, Casagrande, Cuif, ANNE-GAËLLE, Davide, Fara, Fabrizio, Festa, Nicolò, Magnani, Giorgio, Monari, Carlo, Vitali
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______970::53a160e56cf89d4bb33e7883d050792b
https://hdl.handle.net/2318/1896312
https://hdl.handle.net/2318/1896312
Autor:
Elena Abramov-van Rijk
Publikováno v:
Early Music. 48:41-54
The label ‘Ars Nova’ is not easily applicable to Italian 14th-century music, since its main characteristics, such as isorhythm, diminution, pre-existing tenors, and so on, are practically absent, with a few exceptions, from Italian musical compos
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3af7cee8e8920b726fb3f3aadce0fe4b
https://doi.org/10.1093/em/caz093
https://doi.org/10.1093/em/caz093
Autor:
Elena Abramov-van Rijk
Publikováno v:
Early Music History. 37:1-44
The Italians had conflicting sentiments regarding the visit of the Holy Roman Emperor Charles IV in Italy in 1355: from the enthusiastic expectations of the impact the Emperor would have on the local political life to contemptuous scepticism and even
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e66c0f36f6d0ccb24b3e606231332029
https://doi.org/10.1017/s0261127918000025
https://doi.org/10.1017/s0261127918000025
Autor:
Elena Abramov-van Rijk
Publikováno v:
Music and Letters. 100:129-131
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f0f81bcbbeeebb08929756694194a141
https://doi.org/10.1093/ml/gcz013
https://doi.org/10.1093/ml/gcz013
Autor:
Elena Abramov-Van Rijk
Publikováno v:
Plainsong and Medieval Music. 26:1-18
The later Trecento repertoire contains many short, monostrophic ballatas with philosophical or moralising texts. Why should the poets and composers, mostly Florentine, have preferred the ballata over the madrigal when exploring serious subjects, and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::397e9433ae5ac8ca10f71147edddbebe
https://doi.org/10.1017/s0961137116000085
https://doi.org/10.1017/s0961137116000085