Zobrazeno 1 - 10
of 35
pro vyhledávání: '"Egil Törnqvist"'
Autor:
Egil Törnqvist
Though Ingmar Bergman became famous as a filmmaker, his roots-and, to some extent, his heart-were in the theater. He directed more than one hundred plays in his career, and The Serious Game takes a close look at fourteen productions he staged at the
Autor:
Egil Törnqvist
This book is a study of August Strindberg's famous drama Miss Julie, presented in both Swedish and English. Since it was first performed in 1888, Miss Julie has became one of the most successful plays written by Strindberg, widely considered one of t
Autor:
Egil Törnqvist
Publikováno v:
The Serious Game. :87-100
Autor:
Erik Mattsson, Egil Törnqvist
Publikováno v:
Reconsidering National Plays in Europe ISBN: 9783319753331
The contribution of Erik Mattsson and Egil Tornqvist functions as an example of a more traditional notion of the national play, in which the Swedish king Gustav Vasa is displayed as founding father of the Swedish nation. The play was written at the e
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a7e5bc8237e0534da8695f2a140e2719
https://doi.org/10.1007/978-3-319-75334-8_5
https://doi.org/10.1007/978-3-319-75334-8_5
Autor:
Egil Törnqvist
Though Ingmar Bergman became famous as a filmmaker, his roots-and, to some extent, his heart-were in the theater. He directed more than one hundred plays in his career, and The Serious Game takes a close look at fourteen productions he staged at the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6422c484e86d569f4b685edb8377971e
https://doi.org/10.2307/j.ctt1b9x1s8
https://doi.org/10.2307/j.ctt1b9x1s8
Autor:
Egil Törnqvist
Publikováno v:
European Journal of Scandinavian Studies. 44
Autor:
Egil Törnqvist
This bilingual English-Swedish study of August Strindberg’s renowned play Miss Julie (1888) provides a penetrating analysis of the author’s text and of Ingmar Bergman’s praised 1985 production. The book is a paradigmatic illustration of similar
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::52a9aa3587f2cbd2a8f4a84ed1c035a4
https://doi.org/10.2307/j.ctt6wp6rf
https://doi.org/10.2307/j.ctt6wp6rf
Autor:
Egil Törnqvist
Publikováno v:
Theatre Research International. 19:156-164
When analysing drama performances in the widest sense of the word, it seems sensible to distribute the large number of signifiers (signifiants) transmitted to the recipient (the spectator and/or the listener) over five codes: (1) language, (2) cultur
Autor:
Egil Törnqvist
Publikováno v:
Theatre Research International. 18:59-67
Strindberg's Fadren/The Father (1887) opens with an episode — relating to the orderly Nöjd — which is a little drama in itself. We are immediately introduced to an intricate situation which moreover is said to have universal application. Rarely
Autor:
Egil Törnqvist
Publikováno v:
Modern Drama. 33:486-493
Some fifty years ago Roman Ingarden launched his important distinction, with regard to drama, between Haupttext (primary text) and Nebelltext (secondary text). By primary text Ingarden means everything in a play that is verbalized on the stage, i.e.,