Zobrazeno 1 - 10
of 18
pro vyhledávání: '"Edward Wouk"'
Autor:
Stephanie Koerner, Edward Wouk
Publikováno v:
Art History. 44:429-435
Autor:
Edward Wouk, Alison Hokanson
Publikováno v:
Wouk, E & Hokanson, A 2020, ' The past is always present: The image of early Netherlandish art in the long nineteenth century ', Oud Holland, pp. 146-154 . https://doi.org/10.1163/1875-0176-1330304002
Autor:
Edward Wouk
Publikováno v:
Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online. 70:96-117
The Portrait of Lambert Lombard of circa 1560 is unique among early modern likenesses in its intimate portrayal of an artist as friend. This essay moves beyond the questions of attribution that have hitherto dominated discussions of the painting and
Autor:
Edward Wouk
Publikováno v:
Bulletin of the John Rylands Library. 95:83-113
Rylands English MS 60, compiled for the Spencer family in the eighteenth century, contains 130 printed portraits of early modern artists gathered from diverse sources and mounted in two albums: 76 portraits in the first volume, which is devoted to no
Autor:
Edward Wouk
Publikováno v:
Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online. 68:100-135
The artist and polymath Lambert Lombard of Liège developed a radical outlook on the theory and practice of artistic creation that he sought to illustrate in a ‘grammar’ of formal studies. Devised during a period of intense crisis for image-makin
Autor:
Edward Wouk
Publikováno v:
Wouk, E 2019, ' From nabeeld to kopie: the after image and the copy in early modern Netherlandish art ', Word & Image: a journal of verbal/visual enquiry, vol. 35, no. 3, pp. 223 . https://doi.org/10.1080/02666286.2019.1628621
This article examines the emergence and transformation of the ‘copy’ as a category of image in sixteenth-century Netherlandish art and art-writing. It attends to a vocabulary that existed before, and then coexisted alongside, the arrival of the w
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a07953823abedeb045b9d4031ac340d9
https://www.research.manchester.ac.uk/portal/en/publications/from-nabeeld-to-kopie-the-after-image-and-the-copy-in-early-modern-netherlandish-art(72a7a632-bff9-4495-92a9-fe6e1ad7ccb3).html
https://www.research.manchester.ac.uk/portal/en/publications/from-nabeeld-to-kopie-the-after-image-and-the-copy-in-early-modern-netherlandish-art(72a7a632-bff9-4495-92a9-fe6e1ad7ccb3).html
Autor:
Edward Wouk
Publikováno v:
Bulletin of the John Rylands Library. 92:55-90
The Morbetto, or Plague in Crete, designed by Raphael and engraved by Marcantonio Raimondi, juxtaposes the pestilence described in Virgils Aeneid with the ruinous state of Romes ancient remains in the Renaissance. This article examines this exception
Autor:
Edward Wouk, Guido Rebecchini
Publikováno v:
Bulletin of the John Rylands Library. 92:ix-xv
Autor:
Edward Wouk, Lisa Pon
Publikováno v:
Bulletin of the John Rylands Library. 92:145-166
This article and checklist present the contents of the Spencer Album of Marcantonio Raimondi prints, long considered to be lost. By examining its composition and tracing its provenance from the Spencer collection at Althorp House to the John Rylands
Autor:
Edward Wouk
Semini is one of several names for a small Gallo-Roman sculpture that was installed above the gate of Antwerp’s Vieux-Bourg sometime in the fourteenth century. Little is known of the early history of Semini, although it was rumoured to be the objec
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::466e9db75142ca3ab45a614dad6ec029
https://doi.org/10.7228/manchester/9781526117045.003.0011
https://doi.org/10.7228/manchester/9781526117045.003.0011