Zobrazeno 1 - 10 of 30 pro vyhledávání: '"Edward Brunner"'
5
'Shuh! Ain't Nothin' To It': The Dynamics of Success in Jackie Ormes's Torchy Brown
Autor: Edward Brunner
Publikováno v: MELUS: Multi-Ethnic Literature of the United States. 32:23-49
A newspaper in the first half of the twentieth century that neglected its comic strips endangered its future. Only the New York Times and the Boston Evening Transcript ventured onto the marketplace without the benefit of funny pages. To meet this nat
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::3abae5edb752bad4621fcc8d4ebc57a7
https://doi.org/10.1093/melus/32.3.23
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6
Red Funnies: The New York Daily Worker 's 'Popular Front' Comics, 1936-1945
Autor: Edward Brunner
Publikováno v: American Periodicals: A Journal of History, Criticism, and Bibliography. 17:184-207
As the Second World War drew to a close, CPUSA members began to discuss the Communist Party's future. In the summer of 1945, the pages of the New York Daily Worker were packed with an intense debate on the usefulness of the Popular Front policy that
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::f03f705bff0218b3d16eba842d89a123
https://doi.org/10.1353/amp.2007.0016
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8
'Writing Another Kind of Poetry': James Norman Hall as 'Fern Gravel' in Oh Millersville!
Autor: Edward Brunner
Publikováno v: Iowa Journal of Cultural Studies. 8:44-59
The gentlest of hoaxes, James Norman Hall’s Oh Millersville! (1940) is in danger of lapsing from our attention the moment we finish any of its poems. Central to his hoax is Hall’s impersonation of the voice of a girl in her ninth, tenth and eleve
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::de8171ae9dbaaf834d74c6b651fd1a79
https://doi.org/10.17077/2168-569x.1072
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9
Who We Are, Who We Aren’t
Autor: Edward Brunner
Publikováno v: Twentieth-Century Literature. 51:105-109
Guys Like Us: Citing Masculinity in Cold War Poetics by Michael Davidson Chicago: University of Chicago Press, 2004. 281 pages Michael Davidson's new study impressively complicates the conventional narrative that literary historians have continued to
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::475d54313738fb2e4eb74f71442749c7
https://doi.org/10.1215/0041462x-2005-2004
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