Zobrazeno 1 - 10
of 22
pro vyhledávání: '"Eduard Cuelenaere"'
Autor:
Eduard Cuelenaere
Publikováno v:
Cinéma & Cie, Vol 23, Iss 41 (2024)
Externí odkaz:
https://doaj.org/article/5ce21d2e73244ac5a392e087b2208112
Publikováno v:
NECSUS, Vol 12, Iss 2, Pp 127-149 (2023)
In the last decade, nostalgia-driven imitative filmmaking – characterised by requels and ‘belated’ sequels – has become ubiquitous in commercial cinema globally. While the transgenerational appeal of nostalgia in Hollywood has been researched
Externí odkaz:
https://doaj.org/article/010015af68e84aa8a792d6310d6b8381
Publikováno v:
European Journal of Health Communication (EJHC), Vol 2, Iss 2 (2021)
As a much-used data collection method in qualitative research, interviewing is a primary way to make sense of social life. However, critics point out that interviews are often used uncritically and unreflectively, without considering epistemological
Externí odkaz:
https://doaj.org/article/fb7cb523d1a847cd98f9d4d04a30ba12
Bringing together a range of international scholars, European Film Remakes discusses for the first time the textual, socio-cultural, political, and industrial mechanisms and singularities of the film remake in a European context.
Originality versus proximity: An explorative study of audience reactions to monolingual film remakes
Autor:
Eduard Cuelenaere
Publikováno v:
International journal of cultural studies
Striving for a more holistic approach of the field that studies film remakes, this article analyses the reception context of the monolingual film remake practice in the Low Countries. Instead of assuming how audiences define, perceive, experience, an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3b3175e2b2e4f851e042e305d3f365d2
https://doi.org/10.1177/1367877920938798
https://doi.org/10.1177/1367877920938798
Autor:
Eduard Cuelenaere
Publikováno v:
Adaptation
This article argues that, after decades of pointing towards the importance of including production and reception research into the study of film remakes, we should actually start addressing production and reception methodologies and investigate why t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::927ad47a5902f9d41069636e14798926
https://doi.org/10.1093/adaptation/apz033
https://doi.org/10.1093/adaptation/apz033
Publikováno v:
The Routledge Companion to European Cinema ISBN: 9781003027447
The Routledge Companion to European Cinema
The Routledge Companion to European Cinema
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::34b3cedbbf01be7b2709cd58a8f56fb8
https://doi.org/10.4324/9781003027447-22
https://doi.org/10.4324/9781003027447-22
Publikováno v:
Communications : the European journal of communication research
COMMUNICATIONS-EUROPEAN JOURNAL OF COMMUNICATION RESEARCH
COMMUNICATIONS-EUROPEAN JOURNAL OF COMMUNICATION RESEARCH
The practice of Dutch-Flemish film remaking that came into existence in the new millennium quickly appeared to be of great importance in the film industries of Flanders and The Netherlands – and consequently of Europe. Inspired by methods used in t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::52ca5cae96488f4ea45fd6a25408af47
https://doi.org/10.1515/commun-2019-2057
https://doi.org/10.1515/commun-2019-2057
Publikováno v:
Communications. 44:257-261
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bf8e7b011100087fcdbe09e3c8ffdd5b
https://doi.org/10.1515/commun-2019-2056
https://doi.org/10.1515/commun-2019-2056
Publikováno v:
European Journal of Cultural Studies. 22:613-629
When films are being remade, they undergo several transformations, including changes related to (the representation of) national, disability, and gender identities. By drawing on the case of the Flemish film Hasta La Vista and its Dutch remake Adios
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3cf50c62089489629af8f660b70bfb8c
https://doi.org/10.1177/1367549418821850
https://doi.org/10.1177/1367549418821850