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Autor:
Edmund Mendelssohn
In a narrative that extends from fin de siècle Paris to the 1960s, Edmund Mendelssohn examines modernist thinkers and composers who engaged with non-European and pre-modern cultures as they developed new conceptions of'pure sound.'Pairing Erik Satie
Autor:
Edmund Mendelssohn
Publikováno v:
Twentieth-Century Music. 18:281-310
This article examines the lessons that Pierre Boulez learned about sound from Antonin Artaud, suggesting that Boulez's ideas about musical writing (écriture) took shape as the composer imagined and appropriated forms of non-European expression. Boul
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2ca0a8be4fe139dc12a4405f0f28ef1e
https://doi.org/10.1017/s1478572221000049
https://doi.org/10.1017/s1478572221000049
