Zobrazeno 1 - 10
of 13
pro vyhledávání: '"Edileuza Penha de Souza"'
Publikováno v:
AVANCA | CINEMA. :527-534
We will enter the cinematographic universe of the animated short film “Ewé de Òsányìn: the secret of the leaves” (2021), made by members of the terreiro de Candomblé Abassá of the Goddess Òṣùn de Idjemim and black university students fr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1d14a72fc72f5cf6b6c6e44283e772e6
https://doi.org/10.37390/avancacinema.2022.a425
https://doi.org/10.37390/avancacinema.2022.a425
Publikováno v:
AVANCA | CINEMA. :299-306
Black Brazilian Cinema is a concept that affirms the presence and the black culture in cinema since the arrival of the first literate slaves in Brazil, at the same time that it questions the structure of cultural and knowledge production. In this art
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4fe84cbe9d68d298dae29ea6cb7a5e79
https://doi.org/10.37390/avancacinema.2022.a397
https://doi.org/10.37390/avancacinema.2022.a397
Autor:
Edileuza Penha de Souza
Publikováno v:
AVANCA | CINEMA. :320-329
This article discusses aspects of identity, memory and love in the film Café com Canela, directed by Glenda Nicácio and Ary Rosa (Brasil, 2017). The feature film tells the story of Margarida (Valdineia Soriano) a retired teacher who lives isolated
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::94efd02e31bf0d642bd95ef93196cb1a
https://doi.org/10.37390/avancacinema.2022.a400
https://doi.org/10.37390/avancacinema.2022.a400
Publikováno v:
Comunicação & Inovação. 24
Este trabalho examina a proposta curatorial de três eventos realizados em 2017, que destacam a pluralidade da produção audiovisual empreendida por mulheres negras e a atuação destas no âmbito da curadoria. Também analisa representações de mu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d40991000b98ce43fdffe445e3aa39b6
https://doi.org/10.13037/ci.vol24.e20238916
https://doi.org/10.13037/ci.vol24.e20238916
Autor:
Edileuza Penha de Souza
Publikováno v:
Aniki : Revista Portuguesa da Imagem em Movimento. 7:171-188
O artigo apresenta um panorama das principais produções cinematográficas realizadas por mulheres negras brasileiras e de como suas obras se constituem no conceito de Cinema Negro no Feminino. Reflete sobre o caráter ideológico de gênero e raça
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d0400c26bf246cf5b70fd331862909a8
https://doi.org/10.14591/aniki.v7n1.586
https://doi.org/10.14591/aniki.v7n1.586
Autor:
Edileuza Penha de Souza
Publikováno v:
AVANCA | CINEMA.
The present paper analyzes the fallacy of racial democracy in Brazil, studying the film The Case of the Wrong Man, documentary by Camila Moraes which investigates in detail the death of Júlio César de Melo Pinto, a black young man murdered by the p
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8742b743089edd2d0f9c675e67dce327
https://doi.org/10.37390/avancacinema.2020.a158
https://doi.org/10.37390/avancacinema.2020.a158
Publikováno v:
AVANCA | CINEMA.
The majority of the knowledge and philosophy of African roots find a great discrimination in public places in Brazil, rarely we see schools take in consideration those questions, popular knowledge and ways of living of those who follow those religion
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3ac1f64429754236b034737b2df99509
https://doi.org/10.37390/avancacinema.2020.a136
https://doi.org/10.37390/avancacinema.2020.a136
Publikováno v:
AVANCA | CINEMA.
This article purposes an observation of the sensations caused by watching the movie “Alma no Olho” (Brazil, 1974) from the writer, director, producer and actor Zózimo Bulbul. He started his career doing theater productions at the UNE (National S
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::789f322ac93d3c738f272dbf477cee57
https://doi.org/10.37390/avancacinema.2020.a163
https://doi.org/10.37390/avancacinema.2020.a163
Publikováno v:
AVANCA | CINEMA.
The article seeks from the realization of the “Afro-Brazilian Cinema Moments Exhibition - Retrospective”, to analyze the process of consolidation of the concept of Black Cinema, and how the specific Encounters, Festivals and Exhibitions strengthe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::97383fa25fab4cde65c42f5434a3c9ea
https://doi.org/10.37390/avancacinema.2020.a142
https://doi.org/10.37390/avancacinema.2020.a142
Publikováno v:
Revista Gênero. 17
Este artigo tem como propósito a análise do filme O Dia de Jerusa (2014), da diretora Viviane Ferreira. Situa o curta metragem dentro de uma produção do cinema negro no feminino, como herança dos movimentos sociais negros, e reflete sobre as ima
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7e1e777b9eca728e3dbb92c5df12d9aa
https://doi.org/10.22409/rg.v17i1.860
https://doi.org/10.22409/rg.v17i1.860