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pro vyhledávání: '"Eddie Falvey"'
The taste for horror is arguably as great today as it has ever been. Since the turn of the millennium, the horror genre has seen various developments emerging out of a range of contexts, from new industry paradigms and distribution practices to the a
Autor:
Eddie Falvey
Publikováno v:
Horror Studies. 12:63-81
The changing forms of contemporary horror have been the subject of much discussion, both in popular journalism and scholarship. Amid an on-going discussion on the arrival and characteristics of what has been contentiously termed ‘post-horror’, th
Autor:
Eddie Falvey
Publikováno v:
Animation. 15:193-196
Autor:
Eddie Falvey
Publikováno v:
Animation. 15:116-129
This article aims to expand upon a key aspect of Mareike Jenner’s work on Netflix original comedy by considering how the streaming network’s original adult animated series reflect developments occurring within the sitcom format post-TV III. Using
Autor:
Eddie Falvey
This introduction examines Re-Animator’s absence from the general discussion of American horror of its era. It considers how other films have been discursively positioned as more notable and explores why Re-Animator, despite its qualities, has been
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d86b7d9f4863f8caf3585e8df9af5aab
https://doi.org/10.3828/liverpool/9781800859401.003.0001
https://doi.org/10.3828/liverpool/9781800859401.003.0001
Autor:
Eddie Falvey
This chapter positions Re-Animator within the wider landscape of American horror. It explores the shift from the seriousness of 1970s horrors to the rise of the slasher subgenre that peaked in the early 1980s. Placing Re-Animator in the aftermath of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7ab5cf0a994fb227c23ebbbed6ac536b
https://doi.org/10.3828/liverpool/9781800859401.003.0004
https://doi.org/10.3828/liverpool/9781800859401.003.0004
Autor:
Eddie Falvey
Despite the fact that Re-Animator was made against the backdrop of Ronald Reagan’s America, this chapter starts by challenging a tendency in horror studies to employ reflectionist criticism that takes films as being wholly indicative of the cultura
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b254c4dde85f61aab1376428f9d769bb
https://doi.org/10.3828/liverpool/9781800859401.003.0002
https://doi.org/10.3828/liverpool/9781800859401.003.0002
Autor:
Eddie Falvey
This chapter analyses the text of Re-Animator using a series of critical frameworks. After recounting the plot of the film, the textual analysis moves focus to the film’s uses of body horror, a popular mode within the context of 1980s American horr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::65f13638cc0daa2aaaeb27c61f398796
https://doi.org/10.3828/liverpool/9781800859401.003.0003
https://doi.org/10.3828/liverpool/9781800859401.003.0003