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One of the core activities of memory institutions is to provide access to heritage material from their collections so that it can be used in formal and informal educational activities. Although this type of access is beneficial for audiences, we argu
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Akademický článek
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Akademický článek
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Autor:
Echavarria, Karina Rodriguez, Dibble, Laurie, Bracco, Aurelie, Silverton, Edward, Dixon, Sophie
This research investigates how communities can meaningfully connect with Cultural Heritage through creative and digital experiences. It also explores how entry barriers can be lowered for a wider set of audiences to increase their participation in su
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https://explore.openaire.eu/search/publication?articleId=doi_________::c5fb32f28da81e06989d7364c2555cbe
Digitally fabricated artefacts or 3D replicas have the potential to enrich the interpretation of cultural assets by enhancing visitors' engagement with collections. However, it is still not well understood how replicas work as interpretative means an
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https://explore.openaire.eu/search/publication?articleId=doi_________::ef6235ed659f5d3d2cc8420e729a7e34
Heritage monuments such as columns, memorials and buildings are typically carved with a variety of visual features, including figural content, illustrating scenes from battles or historical narratives. Understanding such visual features is of interes
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https://explore.openaire.eu/search/publication?articleId=doi_________::fe727b8b7743984b0bb56ff060175f81
This paper presents a interdisciplinary project between artists, civic groups, heritage organisations, technical experts and communities to co-create a piece of artwork for the community. Constellation is the name of the sculpture, and Jonathan Wrigh
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https://explore.openaire.eu/search/publication?articleId=doi_________::cbba4d5583645c81a0cb780d9a83e9b7
3D physical puzzles are typically used to engage audiences in the interpretation of archaeological artefacts in a museum exhibition. The reason for this is that a puzzle can be seen as a game but also as a complex activity that archaeologists underta
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https://explore.openaire.eu/search/publication?articleId=doi_________::822cda86a53398ea484808cb9aef1b40
Autor:
Alliez, Pierre, Bergerot, Laurent, Bernard, Jean-François, Boust, Clotilde, BRUSEKER, George, CARBONI, Nicola, Chayani, Mehdi, Dellepiane, Matteo, DELL’UNTO, Nicolo, Dutailly, Bruno, GAUTIER, Hélène, GUIDI, Gabriele, GUILLEM, Anaïs, Joffres, Adeline, Laroche, Florent, Manuel, Adeline, MANZETTI, Maria Cristina, Michel, Alain, Pamart, Anthony, Ponce, Jean, Puren, Marie, Riondet, Charles, ECHAVARRIA, Karina RODRIGUEZ, Romary, Laurent, Scopigno, Roberto, Tournon-Valiente , Sarah
Publikováno v:
Digital 3D Objects in Art and Humanities: challenges of creation, interoperability and preservation
PARTHENOS. Digital 3D Objects in Art and Humanities: challenges of creation, interoperability and preservation, Nov 2016, Bordeaux, France. pp.71, 2017
[Technical Report] European Commission; Horizon H2020 Projects. 2017, pp.71
Hyper Article en Ligne-Sciences de l'Homme et de la Société
INRIA a CCSD electronic archive server
PARTHENOS. Digital 3D Objects in Art and Humanities: challenges of creation, interoperability and preservation, Nov 2016, Bordeaux, France. pp.71, 2017
[Technical Report] European Commission; Horizon H2020 Projects. 2017, pp.71
Hyper Article en Ligne-Sciences de l'Homme et de la Société
INRIA a CCSD electronic archive server
International audience; With this White Paper, which gathers contributions from more than 25 experts of 3D imaging, modellng and processing, as well as professionals concerned with the interoperability and sustainability of research data, the PARTHEN
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https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::675850c608b6edc6fbfd698b1bccbf29
https://hal.inria.fr/hal-01526713/file/White_Paper_3D_Parthenos_23052017.pdf
https://hal.inria.fr/hal-01526713/file/White_Paper_3D_Parthenos_23052017.pdf