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pro vyhledávání: '"E. O. Scriven"'
Autor:
E. O. Scriven
Publikováno v:
Transactions of the Society of Motion Picture Engineers. 12:666-678
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::20444c30f542192a3dc169d04fe0b211
https://doi.org/10.5594/j13128
https://doi.org/10.5594/j13128
Autor:
E. O. Scriven
Publikováno v:
Electrical Engineering. 53:25-28
Appreciable care is required in the design of a system which must amplify with great fidelity practically the whole range of audible frequencies and be capable of delivering a high level while at the same time providing a wide volume range. Some of t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::02bc0e7c58a696d7154f3249336d82d6
https://doi.org/10.1109/ee.1934.6540359
https://doi.org/10.1109/ee.1934.6540359
Autor:
E. O. Scriven
Publikováno v:
Bell System Technical Journal. 8:196-208
The general problem involved in the design of a system suitable to be used to record and reproduce sounds such as are required for “talking” motion pictures is outlined. The general method of attack is indicated. There follows a description of th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a5a9a8ebe83bed29890363bdf23a7ac3
https://doi.org/10.1002/j.1538-7305.1929.tb02314.x
https://doi.org/10.1002/j.1538-7305.1929.tb02314.x
Autor:
E. O. Scriven
Publikováno v:
Bell System Technical Journal. 13:278-284
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::547c79da13a3ffb38f93b73fdd3017d9
https://doi.org/10.1002/j.1538-7305.1934.tb00663.x
https://doi.org/10.1002/j.1538-7305.1934.tb00663.x
Autor:
Klipsch, Paul W.
Publikováno v:
Journal of the Acoustical Society of America; 1946, Vol. 17 Issue 3, p254-258, 5p
Publikováno v:
Review of Scientific Instruments; Mar1934, Vol. 5 Issue 3, p132-137, 6p
Autor:
Eric Dienstfrey
Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit reveals that, in fact, filmmakers have been creating stereo and surround-sound effects for nearly a
