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pro vyhledávání: '"Duarte, Miguel Mesquita"'
Autor:
Duarte, Miguel Mesquita1 (AUTHOR) mduarte@fcsh.unl.pt
Publikováno v:
French Screen Studies. Jul2024, Vol. 24 Issue 3, p263-283. 21p.
Akademický článek
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Autor:
Duarte, Miguel Mesquita
Publikováno v:
Revista Crítica Cultural; v. 16 n. 2 (2021); 247-256
Crítica Cultural
Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
Crítica Cultural
Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
Este artigo centra-se na análise crítica e explicativa daquela que pode ser considerada como a obra-charneira de Georges Didi-Huberman, Devant le Temps, de 2000. Este livro prolonga algumas das mais importantes questões exploradas uma década ante
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3056::c197c3aa253d6f813421a1bdd9debcf9
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10715
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10715
UIDB/00417/2020 UIDP/00417/2020 Revista de História da Arte - Serie W, issue 11, brings together updated and expanded versions of selected papers presented at the Times and Movements of the Image international conference, held in Caldas da Rainha an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______1437::3e9df6f17e5c4b342480fc116a95f7ca
https://hdl.handle.net/10362/144516
https://hdl.handle.net/10362/144516
Autor:
Duarte, Miguel Mesquita
Publikováno v:
Repositório Científico de Acesso Aberto de Portugal
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
UIDB/00417/2020 UIDP/00417/2020 Godard’s assertion that the historian must “provide an accurate description of what has never happened” speaks eloquently to Benjamin’s equally provocative idea (taken from Hofmannsthal) that history allows one
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::17a9dd413ae893860ab18b31559b9dec
Autor:
Duarte, Miguel Mesquita
Publikováno v:
Quarterly Review of Film & Video; Aug/Sep2022, Vol. 39 Issue 6, p1235-1261, 27p
Autor:
Duarte, Miguel Mesquita
Publikováno v:
Repositório Científico de Acesso Aberto de Portugal
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
UID/PAM/00417/2019 This article was prompted by James Elkins’s argument — developed in his book, What Photography Is, from 2011 — that there is no actual relationship between Roland Barthes’s theory of photography and Maurice Blanchot’s phi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::a02d77f279be9666e1f0cf638f66f9cc
Akademický článek
Tento výsledek nelze pro nepřihlášené uživatele zobrazit.
K zobrazení výsledku je třeba se přihlásit.
K zobrazení výsledku je třeba se přihlásit.
Autor:
Duarte, Miguel Mesquita
Publikováno v:
Aniki: Portuguese Journal of the Moving Image; Vol 3 No 1 (2016): What is Portuguese cinema?; 138-142
Aniki: Revista Portuguesa da Imagem em Movimento; v. 3 n. 1 (2016): O que é o cinema português?; 138-142
Repositório Científico de Acesso Aberto de Portugal
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
Aniki: Revista Portuguesa da Imagem em Movimento; v. 3 n. 1 (2016): O que é o cinema português?; 138-142
Repositório Científico de Acesso Aberto de Portugal
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3056::f36aa2a72dd7dcb3917e872e132e5765
http://aim.org.pt/ojs/index.php/revista/article/view/199
http://aim.org.pt/ojs/index.php/revista/article/view/199
Publikováno v:
Repositório Científico de Acesso Aberto de Portugal
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
UID/PAM/00417/2013 How does experimental cinema disassemble voyeurism? And what are its political implications when viewed from different gender positions? Yoko Ono's Fly (1970) questions the role of women as passive objects by means of a 'masculine'
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::c1eeb853b3977f51d6acccee85374f2a
https://hdl.handle.net/10362/89435
https://hdl.handle.net/10362/89435