Zobrazeno 1 - 10
of 20
pro vyhledávání: '"Douglas McDermott"'
Autor:
Ian Douglas McDermott
Publikováno v:
Orthopaedics and Trauma. 37:195-206
Autor:
Robert K. Sarlós, Douglas McDermott
Publikováno v:
Theatre Research International. 20:231-236
All artistic conventions of each theatrical era have two intertwining aspects: the aesthetic goals, and the technical crafts for achieving them. In some cases, a particular combination or development of skills results in a refinement of the art or th
Publikováno v:
The Cambridge History of American Theatre ISBN: 9781139054720
The Cambridge History of American Theatre
The Cambridge History of American Theatre
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7e2712a02c36b5dbd62063dd29bc5e82
https://doi.org/10.1017/chol9780521472043.005
https://doi.org/10.1017/chol9780521472043.005
Publikováno v:
The Western Historical Quarterly. 24:441
Autor:
Douglas McDermott
Publikováno v:
Theatre Survey. 15:18-28
From its beginning, America was a frontier. Initially, the Eastern Seaboard was a frontier for Europe, and this was still true in 1750 when professional theatre began to be a regular feature of American life. Within a century the variables changed, b
Autor:
Douglas McDermott
Publikováno v:
Theatre Survey. 19:63-78
The Garden of Eden is the first frontier of which we have record, and every subsequent new geographic region has been invested with the same sense of mystery and promise as the first one. Nowhere has this been more true than in America. From the time
Autor:
Douglas McDermott
Publikováno v:
Theatre Survey. 6:65-82
In the midst of the currently fashionable lament over the death of the drama, or of the theatre, or of the idea of a theatre, it is strange that the Workers' Theatre, deliberately created to meet a specific cultural ideal and productive of its own pa
Autor:
Douglas McDermott
Publikováno v:
Theatre Survey. 7:115-124
Every theatrical group which nerves itself to the effort of production has some goal which it hopes to achieve, but that of the Workers' Theatre was unique and the attempt to realize it resulted in unique organizations with unusual working methods. T