Zobrazeno 1 - 10
of 43
pro vyhledávání: '"Dorothea Link"'
Autor:
Dorothea Link
Dorothea Link examines singers'voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna's court opera from 1783 to 1791. The investigation into the singers'voices proceeds on two levels: understanding the perform
Autor:
Dorothea Link
Publikováno v:
The Italian Opera Singers in Mozart's Vienna ISBN: 9780252044649
Given the importance of accurate casting information, this chapter investigates the casting annotations found in some scores and librettos from the surviving performance material. The scores belong to two collections: the opera house’s performance
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a086b3238d426d295a06f2cfe01c4daf
https://doi.org/10.5622/illinois/9780252044649.003.0003
https://doi.org/10.5622/illinois/9780252044649.003.0003
Autor:
Dorothea Link
Publikováno v:
The Italian Opera Singers in Mozart's Vienna ISBN: 9780252044649
The chapter focuses on the personnel problems that the Italian opera company at the Viennese court faced with its prime donne. When Nancy Storace did not return, Luisa Laschi was promoted to prima donna, and Celeste Coltellini returned as the altra p
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d6d09212944cdf01ee18b06742280c4c
https://doi.org/10.5622/illinois/9780252044649.003.0009
https://doi.org/10.5622/illinois/9780252044649.003.0009
Autor:
Dorothea Link
Publikováno v:
The Italian Opera Singers in Mozart's Vienna ISBN: 9780252044649
The chapter discusses how childbirth resulted in a protracted loss of voice for Nancy Storace as prima donna of the Vienna court Italian opera company. Celeste Coltellini had been engaged as an altra prima donna, and she carried the first half of the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e053adeaaa1c9cd070110e5c6c5ae2a9
https://doi.org/10.5622/illinois/9780252044649.003.0006
https://doi.org/10.5622/illinois/9780252044649.003.0006
Autor:
Dorothea Link
Publikováno v:
The Italian Opera Singers in Mozart's Vienna ISBN: 9780252044649
This chapter discusses how Nancy Storace resumed singing most of the prima-donna roles in the Italian opera company at the Viennese court. Celeste Coltellini was replaced by the returning Luisa Laschi. New singers in the company included the supersta
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ffd829500c5f5043a3c2246194b9070f
https://doi.org/10.5622/illinois/9780252044649.003.0007
https://doi.org/10.5622/illinois/9780252044649.003.0007
Autor:
Dorothea Link
Publikováno v:
The Italian Opera Singers in Mozart's Vienna ISBN: 9780252044649
This chapter examines the first year of the company’s existence, its makeup of expensive Italian singers and cheaper home-grown German singers, and the operas in which they were cast. The three pillars of the company were the imported singers: the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::43f04f7023a71bfea40dd15b4fcae9d7
https://doi.org/10.5622/illinois/9780252044649.003.0004
https://doi.org/10.5622/illinois/9780252044649.003.0004
Autor:
Dorothea Link
The book examines the voices and casting practices of singers in late eighteenth-century Italian opera as exemplified in Vienna’s court opera, 1783-91, with the aim of obtaining greater insight into the singers who created or sang in Mozart’s Da
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f4289e3f61c20dcefc557209ce1acedf
https://doi.org/10.5622/illinois/9780252044649.001.0001
https://doi.org/10.5622/illinois/9780252044649.001.0001
Autor:
Dorothea Link
Publikováno v:
The Italian Opera Singers in Mozart's Vienna ISBN: 9780252044649
The chapter shows how in giving Benucci a three-year contract, Emperor Joseph was committing himself to keeping the Italian company. It discusses the leading composers Giovanni Paisiello and Giuseppe Sarti, and the former being given the first big op
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e99abea654aacf6fe6a3ac37b41f8639
https://doi.org/10.5622/illinois/9780252044649.003.0005
https://doi.org/10.5622/illinois/9780252044649.003.0005
Autor:
Dorothea Link
Publikováno v:
The Italian Opera Singers in Mozart's Vienna ISBN: 9780252044649
The chapter deals with the challenge faced by the librettist Lorenzo Da Ponte, as acting as manager of the Italian opera company at the Viennese court, to keep the company going during the war. The only first-rank singer was Adriana Ferrarese. The pr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0700a025b21da575fa7c7811e4c86f3e
https://doi.org/10.5622/illinois/9780252044649.003.0010
https://doi.org/10.5622/illinois/9780252044649.003.0010
Autor:
Dorothea Link
Publikováno v:
The Italian Opera Singers in Mozart's Vienna ISBN: 9780252044649
Based largely on the physician Benedetto Frizzi’s treatise on late eighteenth-century opera singers, this chapter discusses the six vocal-dramatic categories in which singers were classified: the musico, the serious female singer, the serious tenor
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9cac873232cba761c600386e0dea1b96
https://doi.org/10.5622/illinois/9780252044649.003.0002
https://doi.org/10.5622/illinois/9780252044649.003.0002