Looking at Zagreb: The Italian State as a Popularizer of Contemporary Art

Autor: Samuel D. Albert, Darija Alujević, Josipa Alviž, Jasminka Babić, Sára Bárdi, Līna Birzaka-Priekule, Tamara Bjažić Klarin, Borka Bobovec, Tijana Borić, Dubravka Botica, Marina Bregovac Pisk, Matea Brstilo Rešetar, Sandi Bulimbašić, Heidi A. Cook, Aleksandra Čelovski, Dragan Čihorić, Jakub Dąbrowski, Dragan Damjanović, Francesco Del Sole, Ljiljana Dobrovšak, Christian Drobe, Frano Dulibić, Ana Ereš, Bartol Fabijanić, Jasenka Ferber Bogdan, Ivan Ferenčak, Marta Filipová, Snezhana Filipova, Dorotea Fotivec Očić, Christiane Fülscher, Jan Galeta, Laura Gioeni, Agita Gritāne, Julia Harasimowicz, Elvira Ibragimova, Mirko Ilić, Ivana Janković, Marko Jenko, Darko Kahle, Sniedze Kāle, Jānis Kalnačs, Ivan Kokeza, Irena Kossowska, Richard Kurdiovsky, Franci Lazarini, Rita Ļegčiļina-Broka, Lana Lovrenčić, Silvija Lučevnjak, Lovorka Magaš Bilandži, Zvonko Maković, Martina Malešič, Chiara Mannoni, Igor Marjanović, Raimondo Mercadante, Željka Miklošević, Jovana Milovanović, Viktoriia Myronenko, Jasminka Najcer Sabljak, Jasmina Nestić, Andreas Nierhaus, Mario Pintarić, Patricia Počanić, Mirjam Rajner, Giovanni Rubino, Katerina Rüedi Ray, Karolina Rybačiauskaitė, Carmen Sârbu, Julia Secklehner, Vanja Stojković, Anna Stuhlpfarrer, Zoltán Suba, Nikola Tomašegović, Marcel Tomášek, Antonia Tomić, Tomáš Valeš, Marcus van der Meulen, Nóra Veszprémi, Jeremy F. Walton, Sanja Zadro, Sanja Žaja Vrbica

In 1965, at the 12th International Conference of Critics, Artists and Art Scholars, held in Rimini, Verucchio and San Marino and devoted to the theme Art and Technology, Italian art critic Giulio Carlo Argan declared that Yugoslavia had overcome the

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______3668::10210ed503c6d34c076f3bd1abe944ba
https://hdl.handle.net/11590/389591