Zobrazeno 1 - 10
of 12
pro vyhledávání: '"Donna M. Di Grazia"'
Autor:
Donna M. Di Grazia
Publikováno v:
Liszt in Context ISBN: 9781108378253
Liszt in Context
Liszt in Context
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3b3d16e73d9bb4629c8bee8b5992f988
https://doi.org/10.1017/9781108378253.028
https://doi.org/10.1017/9781108378253.028
Autor:
Donna M. Di Grazia
Publikováno v:
Journal of the American Musicological Society. 67:244-250
Choral Fantasies: Music, Festivity, and Nationhood in Nineteenth-Century Germany by Ryan Minor. Cambridge and New York: Cambridge University Press, 2012. viii, 275 pp. Ryan Minor's Choral Fantasies is one of the few monographs to turn a lens on the w
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d8ccd4e34f17aaf20be957cb6829a7d6
https://doi.org/10.1525/jams.2014.67.1.244
https://doi.org/10.1525/jams.2014.67.1.244
Autor:
Donna M. Di Grazia
Publikováno v:
Early Music. 38:101-112
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1c16ab399dd489144a87ece755f3a4b5
https://doi.org/10.1093/em/cap076
https://doi.org/10.1093/em/cap076
Autor:
Donna M. Di Grazia
Publikováno v:
Music and Letters. 90:555-598
For over forty-five years, scholars have speculated about an unusual collection of early seventeenth-century settings of David's lament for Absalom by twelve English composers, including Thomas Weelkes and Thomas Tomkins. Though some see these works
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0757014f6bf7ab8f09971c8ab5e225da
https://doi.org/10.1093/ml/gcp057
https://doi.org/10.1093/ml/gcp057
Autor:
Donna M. Di Grazia
Nineteenth-Century Choral Music is an in-depth examination of the rich repertoire of choral music and the cultural phenomenon of choral music making throughout the period. The book is divided into three main sections. The first details the attraction
Autor:
Donna M. Di Grazia
Publikováno v:
19th-Century Music. 22:190-209
such performances are based provide a sure foundation for an "authentic" performance that accurately reflects the composer's intentions of how a work "should" sound. The problem with this position is not just its tone of superiority but its fundament
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e36f9268cc7182973b8773a2390c1e45
https://doi.org/10.2307/746857
https://doi.org/10.2307/746857
Autor:
Donna M. Di Grazia
Publikováno v:
Nineteenth-Century Choral Music ISBN: 9780203115183
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fc432e0590e378120fa620311e7f619a
https://doi.org/10.4324/9780203115183-16
https://doi.org/10.4324/9780203115183-16
Publikováno v:
Notes. 54:767
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::38c2a1ae2909471b676ce3d12ac13219
https://doi.org/10.2307/899919
https://doi.org/10.2307/899919
Autor:
Donna M. Di Grazia, David Tunley
Publikováno v:
Notes. 53:985
Romantic French Song, 1830-1870. Edited with translations and commentaries by David Tunley. New York: Garland, 1994 (vol. 1)--1995 (vols. 2-6). [Vol. 1: Early Romances by Berat, Berlioz, Duchambge, Grisar, Meyerbeer, Monpou, Morel, Panseron, and Roma
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3f23038b6187d5fc1ad6162ce1e846a2
https://doi.org/10.2307/899758
https://doi.org/10.2307/899758