Zobrazeno 1 - 10
of 15
pro vyhledávání: '"Domenico Spinosa"'
Autor:
Siegfried Krakauer, Domenico Spinosa
Publikováno v:
Aisthema: International Journal, Vol 10, Iss 1 (2023)
Si presenta in traduzione italiana l'articolo del 1923 di Siegfried Kracauer dal titolo Die Wissenschaftskrisis. Zu den grundsätzlichen Schriften Max Webers und Ernst Troeltschs e apparso sulla «Frankfurter Zeitung».
Externí odkaz:
https://doaj.org/article/e893d5c33ff547788e55c6eb797193da
Autor:
Domenico Spinosa
Publikováno v:
Aisthema: International Journal, Vol 7, Iss 1, Pp 273-299 (2020)
Il presente contributo intente prendere in esame per metterle a confronto alcune tra le più significative posizioni filosofiche sulla tecnica che nei primi anni ’30 del Novecento emergevano esprimendo prospettive diverse. In un orizzonte problemat
Externí odkaz:
https://doaj.org/article/2292b3ca325145229c9ea2b3be8bdce1
Autor:
Domenico Spinosa
Publikováno v:
Aisthesis, Vol 10, Iss 2, Pp 73-83 (2017)
The contribution examines the notion of occasionalismo sensista, or also known by the expression of formalismo sensista, that the Italian philosopher Adelchi Baratono was proposing in the ’30s and ’40s of the twentieth century. Best known for his
Externí odkaz:
https://doaj.org/article/29af44e1e3bd4e6fb0259d41621d7865
Autor:
Domenico Spinosa
Publikováno v:
Rivista di Estetica, Vol 46, Pp 177-182 (2011)
The present essay seeks to analyze the reflections on cinematographic art proposed by Jean-Luc Nancy, referring in particular to his L’Évidence du film. Abbas Kiarostami (2001) as well as to other studies where the author reconsiders the concepts
Externí odkaz:
https://doaj.org/article/daea56710b1949598ccc98d2e49a5f55
Autor:
Domenico Spinosa
Publikováno v:
Rivista di Estetica, Vol 42, Pp 141-155 (2009)
The present contribution develops some key issues of the work of Luigi Stefanini, starting from his work on cinema dating back to 1954. The relationships between philosophical esthetics and film criticism have not been particularly fruitful in Italy
Externí odkaz:
https://doaj.org/article/4220b191906f4a83bb0cc05a3cbcbedc
Autor:
Domenico Spinosa
Publikováno v:
Rivista di Estetica, Vol 46, Pp 3-4 (2011)
Externí odkaz:
https://doaj.org/article/4a53fbbdd6ac4313b3ea24f4b2ce71e2
Autor:
Gaetano, Basileo, Enrico, Botta, Dario, Cellamare, Alessandro Domenico Conti, Fabiana, D'Ascenzo, Marianna, Ferrara, Stefania, Filosini, Luigi, Gaffuri, Angela, Longo, Laura, Lulli, Virginia, Napoli, Parente, LUCIA MARIA GRAZIA, Rocco, Ronchi, Barbara, Savo, Lucilla, Spetia, Domenico, Spinosa, Paolo, Taviani, Simona, Troilo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3983::6abd11cfc993f21fa7b887e09475d5f9
https://hdl.handle.net/11697/197369
https://hdl.handle.net/11697/197369
Autor:
Domenico Spinosa
Publikováno v:
Rivista di Estetica, Vol 46, Pp 177-182 (2011)
The present essay seeks to analyze the reflections on cinematographic art proposed by Jean-Luc Nancy, referring in particular to his L’Évidence du film. Abbas Kiarostami (2001) as well as to other studies where the author reconsiders the concepts
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::bad54d9c494f07a84b7c1e72a7f77187
http://estetica.revues.org/1651
http://estetica.revues.org/1651
Autor:
Felice Masi
The first paragraph of the essay examines Kaufmann’s definition of method- ology, in the belief that it is useful to understand how Weberian Wissenschaftslehre could be interpreted in the first decades of the last century, close to the publication
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3730::6365f82f723cc74dad8f3c038ac3ded9
https://hdl.handle.net/11588/920885
https://hdl.handle.net/11588/920885