Chapter Canals, Cities, Museums, Libraries & Photography: a Reconnaissance Study of Regent’s Canal, London

Autor: Diprose, Graham, Hemsley, Christina, Hemsley, James R.

City waterways are a valuable part of our cultural heritage. Over the years the usage has changed from business to pleasure. Regent’s Canal, cutting across north central London since 1820, has a rich social and industrial history. Much of this hist

Externí odkaz: https://library.oapen.org/handle/20.500.12657/55901

Art(NET)work: visualising interconnected artwork data in VR

Autor: Tsjornaja, Anne, Weinel, Jonathan, Broadhead, Martyn

As the technology progresses, VR becomes more widespread and finds uses outside of gaming. One of these applications is virtual museums (Alatrash et al.2021). As it has been shown that active participation with art pieces plays an important role in a

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a79349cb24fe3faed1cedf7e8ea383a3
http://gala.gre.ac.uk/id/eprint/36994/7/36994_WEINEIL_ArtNet_Work.pdf

EVA London (Electronic Visualisation and the Arts):Proceedings of EVA London 2019

Autor: Weinel, Jonathan, Bowen, Jonathan, Diprose, Graham, Lambert, Nick

Publikováno v: Weinel, J, Bowen, J, Diprose, G & Lambert, N (eds) 2019, EVA London (Electronic Visualisation and the Arts) : Proceedings of EVA London 2019 . British Computer Society . https://doi.org/10.14236/ewic/EVA2019.0

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______1266::afd0a9fe9d57c4c6bc329687eedb8978
https://vbn.aau.dk/da/publications/10f9c22e-b4a2-4023-9360-9b1c8e4a268a

The Imaginary Friend:Crossing Over Computer Scoring Techniques and Musical Expression

Autor: Kallionpaa, Maria, Gasselseder, Hans-Peter

Publikováno v: Kallionpaa, M & Gasselseder, H-P 2016, The Imaginary Friend : Crossing Over Computer Scoring Techniques and Musical Expression. in J P Bowen, G Diprose & N Lambert (eds), Electronic Visualisation and the Arts (EVA 2016) . BCS Learning & Development Ltd, London, Electronic Workshops in Computing, pp. 42-48, EVA London 2016, London, United Kingdom, 11/07/2016 . < http://ewic.bcs.org/upload/pdf/ewic_eva16_mm_paper4.pdf >

The purpose of this paper is to provide theoretical knowledge on how the interactive music techniques usually associated with computer game music could benefit the classical music composers and performers (and vice versa). We will focuse on technique

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::9616c577ba6c685a3c5be57db6ac99c3
https://vbn.aau.dk/da/publications/a7a7c89d-fee2-4572-b689-6fa447fe5ac9

What You Hear is Where You Are is What I Hear:Optimising Immersive Experiences for Interindividual Differences

Autor: Gasselseder, Hans-Peter

Publikováno v: Gasselseder, H-P 2016, What You Hear is Where You Are is What I Hear : Optimising Immersive Experiences for Interindividual Differences . in J Bowen, G Diprose & N Lambert (eds), EVA London 2016 : Electronic Visualisation and the Arts. . BCS Learning & Development Ltd, London, Electronic Workshops in Computing, Electronic Workshops in Computing, pp. 61-69, EVA London 2016, London, United Kingdom, 11/07/2016 . < http://ewic.bcs.org/upload/pdf/ewic_eva16_m2_paper3.pdf >

Aiming at providing data points for a framework of adaptive audio implementations, this paper draws on previous results obtained from an ongoing series of experiments in ludomusicology. From discussing findings on enhanced user interaction in video g

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::bca2ffd6a5081adbacc3bb17f268112b
https://vbn.aau.dk/da/publications/cde0dc6d-e021-4d2f-ae45-8d511eb99620