Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Dilek Kaya Mutlu"'
Autor:
Dilek Kaya Mutlu, Zeynep Koçer
Publikováno v:
European Journal of Cultural Studies
This article extends the discussion of Turkish secularism from political history to cultural history. It examines censorship of religious elements in Turkish films of the 1960s and early 1970s based on the reports of the Central Film Control Commissi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::418c786ffe522f09574d678ff990917a
https://doi.org/10.1177/1367549411424948
https://doi.org/10.1177/1367549411424948
Beware of the Wolves! The Turkish versus the European Reception of Valley of the Wolves: Iraq (2006)
Publikováno v:
Film International. 9:19-34
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8f3dfd86940fe475b8893c3d2e6c6c4e
https://doi.org/10.1386/fint.9.3.19_1
https://doi.org/10.1386/fint.9.3.19_1
Autor:
William J. Connell, Michael Barrier, Christoph Laucht, Brett Bowles, Michael J. Socolow, Patricia F. Phalen, Brian Neve, Mark Gallagher, Andrew J. Douglas, Sofie van Bauwel, Frank Kessler, Max Easterman, Kevin Rockett, Patrick Vonderau, Julia Noordegraaf, Tobias Ebbrecht, Andreas Fickers, Lucy Curzon, Veva Leye, Leah D. Hewitt, Hilary Neroni, Lenuta Giukin, Laurence F. Knapp, Dilek Kaya Mutlu, Ana Olenina, Nico Carpentier, Abigail Derecho
Publikováno v:
Historical Journal of Film, Radio and Television. 28:73-133
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6b5041fb4f63ecb4dfc42857f5038a16
https://doi.org/10.1080/01439680801889872
https://doi.org/10.1080/01439680801889872
Autor:
Dilek Kaya Mutlu
Publikováno v:
Silencing Cinema ISBN: 9780230340817
This chapter focuses on Turkish film censorship during the 1960s and the early 1970s, a period not only marked by two military interventions (in 1960 and 1971), but also considered the golden era of Turkish film production. Through the release of 200
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::039215da9eda9d90058cb73e61c29fcc
https://doi.org/10.1057/9781137061980_9
https://doi.org/10.1057/9781137061980_9
Autor:
Dilek Kaya Mutlu
Publikováno v:
Middle Eastern Studies
Melodrama, the most popular genre of Yeşilçam cinema (1960s Turkish popular cinema), provides a useful source for unravelling the social contradictions and anxieties caused by the Turkish modernization/westernization process, in that the films both
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::015cc2dbc92c28a5f9b2d846d4dbce30
https://hdl.handle.net/11693/48386
https://hdl.handle.net/11693/48386
Autor:
Dilek Kaya-Mutlu
This book studies the film The Midnight Express and analyses how it has negatively altered perceptions of Turkey until the present.
Autor:
Dilek Kaya Mutlu
Publikováno v:
Middle Eastern Studies
The essence of a nation is that all individuals have many things in common, and also that they have forgotten many things. Ernest Renan 1 In November 1914, soon after the Ottoman Empire's entry int...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4845e23e253b5f49c4cae6aa2cdd48a7
https://hdl.handle.net/11693/48396
https://hdl.handle.net/11693/48396