Zobrazeno 1 - 10
of 25
pro vyhledávání: '"Diana Adesola Mafe"'
Autor:
Diana Adesola Mafe
When Lieutenant Uhura took her place on the bridge of the Starship Enterprise on Star Trek, the actress Nichelle Nichols went where no African American woman had ever gone before. Yet several decades passed before many other black women began playing
Autor:
Diana Adesola Mafe
Publikováno v:
MELUS. 46:43-63
This essay focuses on Nnedi Okorafor’s 2015 novel The Book of Phoenix and reads the black female protagonist and narrator, Phoenix Okore, as a powerful metaphor for a radical twenty-first-century black feminist politics and a signifier of the conte
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3487fe54c5c2c72ad22ba11bb9b34b24
https://doi.org/10.1093/melus/mlab021
https://doi.org/10.1093/melus/mlab021
Autor:
Diana Adesola Mafe
Publikováno v:
Camera Obscura: Feminism, Culture, and Media Studies. 30:89-123
This article argues that the 2013 first-person shooter (FPS) video game BioShock Infinite (2K Games) challenges gamers in its representations of race. Launched in 2007, the BioShock franchise has a reputation for thoughtful dystopian narratives, beau
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9f3faf44f9c837fb12f771fd45c0000d
https://doi.org/10.1215/02705346-3078336
https://doi.org/10.1215/02705346-3078336
Autor:
Diana Adesola Mafe
Publikováno v:
The Journal of Popular Culture. 48:443-463
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e2ad24cc38373186d9cfdac7f429f8d4
https://doi.org/10.1111/jpcu.12277
https://doi.org/10.1111/jpcu.12277
Autor:
Diana Adesola Mafe
Publikováno v:
African American Review. 48:33-48
This article reads the comic-book series Y: The Last Man as a subversive articulation of critical race and feminist discourses despite the guise of Eurocentricity and the pretext of a white male “protagonist.” I argue that the true protagonist of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::82aebd4ce8f4caf305ade7b8063ad9b8
https://doi.org/10.1353/afa.2015.0009
https://doi.org/10.1353/afa.2015.0009
Autor:
Diana Adesola Mafe
Publikováno v:
African American Review. 50:81-82
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::569bbe8c5e92f7431c4984085c13a7e5
https://doi.org/10.1353/afa.2017.0009
https://doi.org/10.1353/afa.2017.0009
Autor:
Diana Adesola Mafe
Publikováno v:
Camera Obscura: Feminism, Culture, and Media Studies. 25:69-99
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::962d2337799c9ce7f48f408f163a9359
https://doi.org/10.1215/02705346-2010-010
https://doi.org/10.1215/02705346-2010-010
Autor:
Diana Adesola Mafe
Publikováno v:
Safundi. 9:427-455
And I hybrid, after Mendel, growing between the wire and the wall, being dogsbody, being me, buffer you still.1 1 Nortje, “Dogsbody Half-Breed”, 345. No presentation of Arthur Nortje could separate...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0e1ba1565d51ccea2ebb65fa6e78fefa
https://doi.org/10.1080/17533170802349556
https://doi.org/10.1080/17533170802349556
Autor:
Diana Adesola Mafe
Publikováno v:
English Academy Review. 25:66-76
Nella Larsen, the ‘mystery woman of the Harlem Renaissance,’ and Bessie Head, the famous ‘woman alone,’ are known for their ambiguous origins and their fabrication of personal ‘facts.'This article argues that these mixed race female writers
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::82478d9d68cad645430ff30f180aedcc
https://doi.org/10.1080/10131750802099490
https://doi.org/10.1080/10131750802099490