Zobrazeno 1 - 10
of 102
pro vyhledávání: '"Delphine Letort"'
Autor:
Delphine Letort
Publikováno v:
Transatlantica, Vol 1 (2019)
This essay examines the memories of slavery shaped by Nate Parker in The Birth of a Nation. It shows how Parker uses the biopic as a narrative frame to turn the slave rebel into a hero and analyzes the impact of the visuals over the construction of a
Externí odkaz:
https://doaj.org/article/aff01e4bc9654e3094868b3144b6966a
Autor:
Charles Joseph, Delphine Letort
Publikováno v:
TV Series, Vol 12 (2017)
This article examines the narrative strategies used in the television series adaptation of The Leftovers (HBO, 2014-2017), originally a post-apocalyptic novel that revisits the literature of the rapture. The creators of the series incorporate new lit
Externí odkaz:
https://doaj.org/article/cf44cd9b0a614b93937c1408e7c8a09e
Autor:
Delphine Letort
Publikováno v:
Alphaville: Journal of Film and Screen Media, Iss 5, Pp 101-115 (2013)
Focusing on the months that followed Katrina and the breach of the levees in New Orleans, the first two seasons of HBO series Treme (2010, 2011) plumb the interstices between fact and fiction, thereby testifying to the confusion that prevailed after
Externí odkaz:
https://doaj.org/article/aed9c4994a3444c1841b0f7ba5103f45
Autor:
Delphine Letort
Publikováno v:
Revue LISA, Vol 7, Pp 123-138 (2009)
Franco Zeffirelli et Robert Stevenson nous offrent deux interprétations de Jane Eyre à travers des adaptations qui retiennent des choix narratifs souvent parallèles mais dont les mises en scène diffèrent, creusant un écart manifeste au niveau d
Externí odkaz:
https://doaj.org/article/bb54493559244ec7be7ffde755474b56
Autor:
Delphine Letort
Publikováno v:
Revue LISA, Vol 7, Pp 74-88 (2009)
Sweet Sweetback’s Baadasssss Song represented a turning point in filmmaking when it was released in 1971. This article focuses on the interplay of the political and the aesthetic in a film that was conceived as a means of furthering change in the r
Externí odkaz:
https://doaj.org/article/38dd1d3aaac04a2e9a1ae50eac6e3d73
Autor:
Delphine Letort
Publikováno v:
Mise au Point, Vol 5 (2013)
Externí odkaz:
https://doaj.org/article/5e4ae210596a45a589780ba8e13f02b3
Autor:
Delphine Letort
Publikováno v:
Transatlantica, Vol 2 (2013)
Sankofa is the eighth film made by Ethiopian director Haile Gerima, who has been living in exile in the United States since 1967. Based on an original script, written by the filmmaker himself, Sankofa is a slave narrative which, however, has no histo
Externí odkaz:
https://doaj.org/article/1c4d203d8b3b49e4ad04440d535e7ae8
Autor:
Delphine Letort
Publikováno v:
Transatlantica, Vol 2 (2011)
The adaptation of the short story entitled “Auggie Wren’s Christmas Story” (1990) gathered the writer Paul Auster and the director Wayne Wang around a film project that allowed them to share their artistic practices in a collaborative work. Thi
Externí odkaz:
https://doaj.org/article/487b2df8187245bebc72fa8ccc63aea9
Autor:
Delphine Letort
Publikováno v:
Amnis, Vol 8 (2008)
Julie Dash dedicated Daughters of the Dust to the female members of the black community, endeavouring to uncover the secrets of their common history turned into a taboo subject by the silence that enshrouds the issue of femininity at the time of slav
Externí odkaz:
https://doaj.org/article/00a55f572ce64b749c4e1bf9f62a2166
Autor:
Delphine Letort
In this groundbreaking book, Delphine Letort sheds light on a neglected part of Spike Lee's filmmaking by offering a rare look at his creative engagement with the genre of documentary filmmaking. Ranging from history to sports and music, Lee has tack
