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pro vyhledávání: '"Davor Sanvincenti"'
Autor:
Sonja Nikolic, Vesna Mestric, Igor Peteh, Vesna Rastija, Stanko Popovic, Werner Schulze, Marcel Bacic, Oleg Bodnar, Franka Miriam Bruckler, Marcin Brzezicki, Dragan Bukovec, Darko Tibljas, Ivan Razum, Patrick Fowler, Ivan Ladislav Galeta, Oleg N. Grinbaum, Borut Juvanec, Janja Juzbasic, Andreja Malovoz, Leonida Kovac, Angela Lohri, Dunja Mandic, Sonja Jurkovic, Tihomir Marjanac, Irena Paulus, Mirta Pavic, Ztlako Bielen, Blazenka Pintaric, Nenad Roban, Leonid P. Romankov, Giovanni Rubino, Davor Sanvincenti, Zvonimir Sikic, Beatriz Tomsic Cerkez, Drazen Vitolovic, Dmitry Weise, Domen Zupancic
The aim of this essay is to show how, from the 1950s to early 1970s, arts and technologies evolved side by side owing to the new practices borrowed from the legacy of abstract art. Both in Italy and Croatia, several left-wing scholars wrote on the re
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3668::59f3d8fb7bb39f0bab59371ecbec1c81
https://hdl.handle.net/11590/389557
https://hdl.handle.net/11590/389557