Zobrazeno 1 - 10
of 34
pro vyhledávání: '"David O'shaughnessy"'
Autor:
Ian Newman, David O'Shaughnessy
Charles Macklin (1699?–1797) was one of the most important figures in the eighteenth-century theatre. Born in Ireland, he began acting in London in around 1725 and gave his final performance in 1789 – no other actor can claim to have acted across
Autor:
Michael Griffin, David O'Shaughnessy
Publikováno v:
Studies in Eighteenth-Century Culture. 52:453-457
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9fa5c0dbf6d666c247340a46d6a772fa
https://doi.org/10.1353/sec.2023.0032
https://doi.org/10.1353/sec.2023.0032
Autor:
David O'Shaughnessy
Publikováno v:
Studies in Eighteenth-Century Culture. 49:355-359
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d1c9207abeaa09cda5ebec4c02fcfc65
https://doi.org/10.1353/sec.2020.0032
https://doi.org/10.1353/sec.2020.0032
Autor:
David O’Shaughnessy
This chapter discusses the various interventions made by the Examiner of Plays on Macklin's plays before they were performed. It highlights various bawdy and political elements that were thought inappropriate for performance. The chapter argues that
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8e50674637abd98b1ef37d870977d781
https://doi.org/10.2307/j.ctv2crj1t8.18
https://doi.org/10.2307/j.ctv2crj1t8.18
Autor:
Ian Newman, David O’Shaughnessy
This chapter gives a survey of Macklin's life and career, tracing his trajectory from unknown actor to one of the best-known figures in Georgian theatre. Looking at Macklin's many activities over decades of London life, the chapter argues that consid
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::045298963f66a6a7f6e649913ee5fb62
https://doi.org/10.2307/j.ctv2crj1t8.9
https://doi.org/10.2307/j.ctv2crj1t8.9
Publikováno v:
Eighteenth-Century Studies. 52:431-435
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6354c33fd4647a7713738b9cbf7470a2
https://doi.org/10.1353/ecs.2019.0028
https://doi.org/10.1353/ecs.2019.0028
Autor:
David O'Shaughnessy
Publikováno v:
Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print ISBN: 9783030629113
This chapter places William Godwin’s historical tragedy Abbas, King of Persia (1801) in the context of the Act of Union (1801) of Britain and Ireland. The chapter argues that revisionist Irish historian John Curry’s critique of religious sectaria
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3a6789a2312a492a35c727c08447fbab
https://doi.org/10.1007/978-3-030-62912-0_2
https://doi.org/10.1007/978-3-030-62912-0_2
Autor:
David O'Shaughnessy
This collection reveals the wide-ranging impact of the Stage Licensing Act of 1737 on literary and theatrical culture in Georgian Britain. Demonstrating the differing motivations of the state in censoring public performances of plays after the Stage