Zobrazeno 1 - 10
of 26
pro vyhledávání: '"David Hemsoll"'
Autor:
David Hemsoll
Publikováno v:
Journal of Art Historiography, Vol 29, Pp 29-DH1 (2023)
The respected art historian Antonio Morassi, as a student under Max Dvořák in Vienna in 1912–16, wrote a thesis on the Renaissance architect Michele Sanmicheli (1487–1559), who was active in Verona and Venice. This, later, formed the basis of a
Externí odkaz:
https://doaj.org/article/33585a07d7a24ec59f8abfc3d0865317
Autor:
David Hemsoll
Publikováno v:
Journal of the Society of Architectural Historians. 82:86-88
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::db748e0f1b62eb75a6cdc9cb21dc9fcd
https://doi.org/10.1525/jsah.2023.82.1.86
https://doi.org/10.1525/jsah.2023.82.1.86
Autor:
David Hemsoll
Publikováno v:
Architectural History. 64:407-409
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7689002adfeeb7fd333ef13c2e80073c
https://doi.org/10.1017/arh.2021.18
https://doi.org/10.1017/arh.2021.18
Autor:
David Hemsoll
Publikováno v:
Journal of the Warburg and Courtauld Institutes. 82:195-249
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f8b69c4d54da918415ce2bc8e91a514f
https://doi.org/10.1086/27074376
https://doi.org/10.1086/27074376
Autor:
David Hemsoll
Publikováno v:
Concepts of Beauty in Renaissance Art ISBN: 9780429459382
Concepts of Beauty in Renaissance Art
Concepts of Beauty in Renaissance Art
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7d7394ff6c80b5e5a744504f1075b5f5
https://doi.org/10.4324/9780429459382-6
https://doi.org/10.4324/9780429459382-6
Autor:
David Hemsoll
Publikováno v:
Architectural History. 60:347-349
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::35f3c23b7219eec3e43a7dd28461760a
https://doi.org/10.1017/arh.2017.14
https://doi.org/10.1017/arh.2017.14
Autor:
David Hemsoll
Publikováno v:
Journal of the Society of Architectural Historians. 75:377-379
Palladian Design: The Good, the Bad and the Unexpected The Architecture Gallery, Royal Institute of British Architects, London 9 September 2015–9 January 2016 This exhibition, as its title indicates, was intended to challenge its audience. The chal
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8cb3f96df2182069d54989408915aee4
https://doi.org/10.1525/jsah.2016.75.3.377
https://doi.org/10.1525/jsah.2016.75.3.377
Autor:
David Hemsoll
Publikováno v:
Architectural History. 58:1-54
The enduring concept of the orders was fundamental to the perpetuation of the classical tradition, and it is central to much architectural theory. One of the most resoundingly influential of its elucidations was published in 1570 by Andrea Palladio (
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7ccf2ef4f92f04d61d8bd6c14a61138f
https://doi.org/10.1017/s0066622x00002574
https://doi.org/10.1017/s0066622x00002574
Autor:
David Hemsoll
Publikováno v:
Oxford Art Journal. 31:281-285
Art', that Greenberg reiterated something like his original cultural critique. There, Modernist art was offered as a sort of refuge and resistance to the routines and imperatives of life in industrial capitalist societies.2 One thing remained the sam
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8de6c7475426f4d15f8735273cf32bd0
https://doi.org/10.1093/oxartj/kcn019
https://doi.org/10.1093/oxartj/kcn019