Zobrazeno 1 - 10
of 99
pro vyhledávání: '"David Ackermann"'
Publikováno v:
EURASIP Journal on Audio, Speech, and Music Processing, Vol 2021, Iss 1, Pp 1-14 (2021)
Abstract Measurements of the directivity of acoustic sound sources must be interpolated in almost all cases, either for spatial upsampling to higher resolution representations of the data, for spatial resampling to another sampling grid, or for use i
Externí odkaz:
https://doaj.org/article/6858460fe6b644de9eb8e641c14db81e
Autor:
David Ackermann, Julian Domann, Fabian Brinkmann, Johannes M. Arend, Martin Schneider, Christoph Pörschmann, Stefan Weinzier
Publikováno v:
Journal of the Audio Engineering Society. 71:62-73
Publikováno v:
Journal of the Audio Engineering Society. 68:418-427
The motion-tracked binaural (MTB) technique allows the dynamic, pseudobinaural rendering of spatial sound scenes recorded by a circular array of microphones on a rigid sphere. The system provides a multichannel live audio transmission from which a he
Schlüsselseiten aus dem Exemplar der BSB München: 4 Diss. 53.
Externí odkaz:
http://www.gbv.de/du/services/gLink/vd17/12:145225F_001http://www.gbv.de/du/services/gLink/vd17/12:145225F_002
For the quality of model-based, virtual acoustic environments, not only the room acoustic simulation but also the quality and suitability of the source material play an important role. An optimal recording of real sound sources is characterized by an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::38e46db17c8aef5f13059b46aefcbe68
https://depositonce.tu-berlin.de/handle/11303/13910
https://depositonce.tu-berlin.de/handle/11303/13910
Autor:
David Ackermann, Fabian Brinkmann, Lukas Aspöck, Michael Vorländer, Stefan Weinzierl, Rob Opdam
Room acoustical simulations are usually evaluated by comparing them to measurements in corresponding physical environments as a benchmark. However, it proved to be challenging to provide a precise representation of the room geometry, the source and r
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::51590858674b4b0d780633ebd265dc5b
https://depositonce.tu-berlin.de/handle/11303/12452
https://depositonce.tu-berlin.de/handle/11303/12452
With the Room Acoustical Quality Inventory (RAQI), a measuring instrument for the perceptual space of performance venues for music and speech has been developed. First, a focus group with room acoustical experts determined relevant aspects of room ac
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::9dc5a3ce798e5b8776f0e2f38ac22805
https://depositonce.tu-berlin.de/handle/11303/9645
https://depositonce.tu-berlin.de/handle/11303/9645
Publikováno v:
The Journal of the Acoustical Society of America. 141:3997-3997
A convincing auralization of acoustical scenes does not only require a proper modeling of the sound propagation between source and receiver, but also an appropriate representation of the acoustical source itself. While the properties of electro-acous
Publikováno v:
The Journal of the Acoustical Society of America. 141:3856-3856
The first round robin on auralization allows developers of room acoustical simulation software to provide results of their simulation model for typical scenarios of sound propagation and room acoustics. In contrast to the past round robins on room ac
Autor:
Lukas Aspöck, Fabian Brinkmann, David Ackermann, Rob Opdam, Michael Vorlaender, Stefan Weinzierl
Publikováno v:
The Journal of the Acoustical Society of America. 141:3856-3856
For evaluating the performance of room acoustical simulations or numerical simulations in general, these are usually compared to corresponding measurements as a benchmark. Previous studies indicated that differences may result from neglecting wave ef