IL CLOWN – UNA METAFORA PER L’IDENTITÀ DELL’ARTISTA NEL CIRCO DELLA STORIA E DELL’ESISTENZA IN MATEI VIȘNIEC E NORMAN MANEA / THE CLOWN – A METAPHOR FOR THE ARTIST IDENTITY IN THE CIRCUS OF HISTORY AND EXISTENCE AT MATEI VIȘNIEC AND NORMAN MANEA

Autor: David, Emilia

Publikováno v: Studia Universitatis Babes-Bolyai - Philologia. 68(1):31-49

Externí odkaz: https://www.ceeol.com/search/article-detail?id=1107574

Avangarda românească: o receptare târzie şi lacunară / The Romanian Avant-garde: Its Belated and Flawed Reception

Autor: David, Emilia

Publikováno v: Meridian critic / Meridian of Criticism. XXXIV(1):11-26

Externí odkaz: https://www.ceeol.com/search/article-detail?id=925445

O punte peste timp: accepţiile Primei Conflagraţii – de la scrisorile lui Tristan Tzara către interlocutori din Italia pînă la Recviemul lui Matei Vişniec / A Bridge Over Time: Implications of World War I – from Tristan Tzara’s Letters to Italian Interlocutors to Matei Vişniec’s Requiem

Autor: David, Emilia

Publikováno v: Meridian critic / Meridian of Criticism. XXX(1):11-32

Externí odkaz: https://www.ceeol.com/search/article-detail?id=925148

De la canonul optzecist la canonul transnațional.

Autor: DAVID, Emilia¹ emilia.david@unipi.it

Publikováno v: Revista Transilvania. 2021, Issue 7/8, p128-132. 5p.

TRISTAN TZARA'S SHIFT FROM SYMBOLISM TO FUTURISM, TO DADAISM, 1912-1916.

Autor: DAVID, EMILIA

Publikováno v: Annals of the University of Bucharest, Studies of Romanian Language & LIterature / Analele Universităţii Bucureşti. Limba şi Literatura Română; 2023, p33-51, 19p