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pro vyhledávání: '"Daria Khitrova"'
Autor:
Daria Khitrova
For many nineteenth-century Russians, poetry was woven into everyday life—in conversation and correspondence, scrapbook albums, and parlor entertainments. Blending close literary analysis with social and cultural history, Daria Khitrova shows how p
Publikováno v:
Mise au Point, Vol 8 (2016)
The field of study we visit in this article is the history of editing. Specifically, we look at D.W. Griffith’s essay “Pace in the Movies” (1926) which says that specific scenes in films must be edited with specific shot lengths in mind. In a m
Externí odkaz:
https://doaj.org/article/cd343873dff54b0eab0c3aaf6b5f260e
Autor:
Daria Khitrova
Publikováno v:
Critical Inquiry. 40:134-149
Publikováno v:
Mise au Point, Vol 8 (2016)
Le champ d’études couvert par cet article est l’histoire du montage. Plus précisément, nous analysons le texte de D.W. Griffith “Pace in the Movies” (1926) où il explique qu’une scène doit toujours être montée en ayant à l’esprit
Autor:
Daria Khitrova
Publikováno v:
Slavic Review. 76:1140-1141
Autor:
Daria Khitrova
Publikováno v:
Studies in Russian and Soviet Cinema. 5:55-71
This article deals with the dance-related layer of Eisenstein's Gesamtkunstwerk-film, Ivan the Terrible (Part 1, 1944; Part 2, 1946). Narrative and visual borrowings from the famous ballet Swan Lake, whose leading star Galina Ulanova was to play Anas
Autor:
Daria Khitrova
Publikováno v:
Slavic Review. 73:223-224