Zobrazeno 1 - 10
of 19
pro vyhledávání: '"Daragh O'Connell"'
Autor:
Daragh O’Connell
Publikováno v:
Recherches, Vol 21, Pp 55-76 (2018)
Notre étude analyse, de différents points de vue, la genèse du premier chapitre du longseller de Vincenzo Consolo, Le sourire du marin inconnu (1976). L’on y relève des variantes textuelles et des sources littéraires ou extralittéraires. En e
Externí odkaz:
https://doaj.org/article/54781a3610fe442a996ec7d0ec5dfbfe
Autor:
Daragh O’Connell
Publikováno v:
Quaderns d'Italià, Vol 13 (2008)
Il contributo tenta di delineare la poetica di Vincenzo Consolo attraverso i suoi interventi giornalistici e saggistici e attraverso momenti «testuali» della sua trilogia narrativa: Il sorriso dell’ignoto marinaio; Nottetempo, casa per casa; Lo S
Externí odkaz:
https://doaj.org/article/bef6a86a59154e5e96b41facc92dc1db
Autor:
Daragh O'Connell
Publikováno v:
Studies: An Irish Quarterly Review. 111:401-411
Autor:
Daragh O’Connell
Publikováno v:
Studies: An Irish Quarterly Review. 111:125-133
Autor:
Daragh O'Connell
Publikováno v:
The Afterlife of Dante's Vita Nova in the Anglophone World ISBN: 9781003181880
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3dbb9a5068169c57c2d15b7b92924291
https://doi.org/10.4324/9781003181880-14
https://doi.org/10.4324/9781003181880-14
Autor:
Daragh O’Connell, Beatrice Sica
Publikováno v:
Italian Studies. 75:125-139
The article opens by considering how contemporary Italian Studies scholarship is situated in relation to the long-standing dominance of literary culture as a major disciplinary concern, and the per...
Publikováno v:
Quaderni d'italianistica. 38:201-203
Autor:
Daragh O’Connell
Publikováno v:
Renaissance and Reformation. 40:37-66
This essay interrogates Ludovico Ariosto’s theatrical poetics by charting his developing sense of the theatrical space and his embrace of the contemporary. From an initial appropriation of Roman stage models to a more nuanced appreciation of the co
Autor:
Michael G. Kelly, Daragh O'Connell
The comparative gesture performs both the act and the question of transition between the terms compared. Understood as an intercultural practice, comparative literature may thus also be understood as both a transitive and a transnational process, cre
Autor:
Daragh O’Connell
Publikováno v:
Italian Studies. 63:315-321