Zobrazeno 1 - 10
of 28
pro vyhledávání: '"Daphne P. Lei"'
Autor:
Daphne P. Lei
Publikováno v:
Theatre Journal. 74:E-59
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c655962ae9447dedf3f17e7221fc3ae3
https://doi.org/10.1353/tj.2022.0062
https://doi.org/10.1353/tj.2022.0062
This updated fourth edition of Theatre Histories offers a critical overview of global theatre, drama, and performance, spanning a broad wealth of world cultures and periods, integrating them chronologically or thematically, and showing how they have
Autor:
Daphne P. Lei
Publikováno v:
Modern Drama. 60:528-531
Staging Chinese Revolution offers a comprehensive study of Chinese revolutionary propagandist film, television, and theatre, from the 1960s to the 2010s, on subjects related to Communist Party history, founding fathers, and revolutionary ideology. Dr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::87f86f7d2e72bb623393e1f9712aa287
https://doi.org/10.3138/md.60.4.528
https://doi.org/10.3138/md.60.4.528
Autor:
Daphne P. Lei
Publikováno v:
Interculturalism and Performance Now ISBN: 9783030027032
This chapter investigates performing “yellowness” in a playful but sincere way, as a recent trend of portraying Asianness and presenting Asian bodies in performance. Three methods are examined: yellow face, yellow drag, and yellow play. A number
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2579e5015713b7cd71eb62d4f7b86d8a
https://doi.org/10.1007/978-3-030-02704-9_10
https://doi.org/10.1007/978-3-030-02704-9_10
Autor:
Daphne P. Lei
Publikováno v:
Theatre Journal. 63:571-586
Hegemonic Intercultural Theatre (HIT), the theatrical collaboration between East and West in the most traditional sense, is the most established and dominant form of intercultural theatre today. This essay investigates interrupted cultural flows and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d3ed1ebe446472c597d9e0682e615752
https://doi.org/10.1353/tj.2011.0118
https://doi.org/10.1353/tj.2011.0118
Autor:
Daphne P. Lei
Publikováno v:
Theatre Research International. 35:188-192
‘Ruptures Within and Without’ analyses Pageantry, performed by Asian women local to the Actions of Transfer conference site, for the ways in which the performance insists on opening up and interrogating the place (or displacement) of Asians in th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b845af83402845855f39fbd4f707a112
https://doi.org/10.1017/s0307883310000118
https://doi.org/10.1017/s0307883310000118
Autor:
Daphne P. Lei
Publikováno v:
Anthropological Quarterly. 82:99-127
This article focuses on bodily writing as a performance of virtue in premodern China. Bodily writing includes inscribing text on the body (tattooing), mutilation, and blood-letter-writing. These "bloody" acts were originally associated with the lowly
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::34b5bb1a6ae3278915a3787343d0ad65
https://doi.org/10.1353/anq.0.0044
https://doi.org/10.1353/anq.0.0044