Zobrazeno 1 - 10
of 94
pro vyhledávání: '"Daniil Kharms"'
Autor:
Anna Bednarczyk
Publikováno v:
Między Oryginałem a Przekładem, Vol 30, Iss 1/63 (2024)
TRANSLATION OF THE EXPERIMENT – TWO POEMS BY DANIIL KHARMS TRANSLATED BY WIKTOR WOROSZYLSKI The article concerns two poems by Daniil Kharms (Нéтеперь and Фадеев, Калдеев и Пепермалдеев…) translated by Wiktor Wo
Externí odkaz:
https://doaj.org/article/0e04f6cd20e14c349ed4770004e7ddca
Autor:
Alexander V. Korneev
Publikováno v:
RUDN Journal of Studies in Literature and Journalism, Vol 27, Iss 3, Pp 459-467 (2022)
The research is devoted to the dynamics of D.I. Kharms’ creativity in the 1930s: if his early work functions in accordance with the ideas of the cosmogonomeschatological archetype, then later he turns to the Easter archetype, especially in the stor
Externí odkaz:
https://doaj.org/article/0a08d7d4e5ac4689a2ea11e04ec2af57
Autor:
Hurmuz, Gabriela
Publikováno v:
Slovo. 9(1):39-51
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1071889
Autor:
Hurmuz, Gabriela
Publikováno v:
Slovo. 10(1):100-103
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1069326
Autor:
Levon Hakobian
Publikováno v:
Arts, Vol 13, Iss 1, p 6 (2023)
The term ‘musicalization’ comes from Aldous Huxley’s novel Point Counter Point where it denotes the use of music-derived models in fiction. The oeuvre of Russian writer Daniil Kharms (1905–1942) provides telling examples of such an approach t
Externí odkaz:
https://doaj.org/article/fbff1708380843e4a5fc49cfb425deec
Autor:
Aage Hansen-Löve
Publikováno v:
Internationale Zeitschrift für Kulturkomparatistik, Vol 5, Pp 443-466 (2022)
There are astonishingly numerous and profound influences of the Pre-Socratics – especially Herakleitos and Zenon – on Russian literature between realism and the avant-garde of the 1920s. The focus here is on the concepts of Herakleitos’ “pant
Externí odkaz:
https://doaj.org/article/a3a9e978b6ff409e9d6a2b414d16e961
Autor:
Lada Panova
Publikováno v:
eSamizdat, Vol 15 (2023)
The article attempts to determine what makes the literary legacy of the first Russian avant-garde so special. Did Velimir Khlebnikov, Vladimir Maiakovskii, Daniil Kharms indeed pronounced a “New First Unexpected” word, as they claimed in their ma
Externí odkaz:
https://doaj.org/article/cdaab355b067417e81365851d376e33a
Autor:
Lenora Murphy
Publikováno v:
eSamizdat, Vol 15 (2023)
This paper examines how Kharms uses performativity in his 1928 play Elizaveta Bam to explore the relationship between the subject and the state. The play follows Elizaveta as she attempts to escape a murder charge by cycling through a series of radic
Externí odkaz:
https://doaj.org/article/f1b8c880da4f4f51b9fd88c89f0baea1
Autor:
Andrei B. Ustinov
Publikováno v:
Литературный факт, Iss 1 (19), Pp 200-252 (2021)
The paper presents selected records from Mikhail Kuzmin’s diary that deal with – directly or indirectly – Daniil Kharms and his literary associates since the first mentioning of “mystic-futurist Vvedensky” on March 16, 1924, and up to the a
Externí odkaz:
https://doaj.org/article/2c65b106325b4306aa9fd933d7152cfb
Autor:
Аleksandr А. Kobrinsky
Publikováno v:
Литературный факт, Iss 1 (19), Pp 335-353 (2021)
The paper is dedicated to the quest for the sources of the two notes made by Daniil Kharms in his notebooks and dated May 1927 and July 1933. The first one is devoted to someone “great Rebbe from Liadi”: Kharms was going to get his book with musi
Externí odkaz:
https://doaj.org/article/7892daf3e0a646db93a892ee22c062fe