Zobrazeno 1 - 10
of 23
pro vyhledávání: '"Daniela Sacco"'
Autor:
Daniela Sacco
Publikováno v:
Antropologia e Teatro, Iss 16, Pp 169-186 (2023)
The paper interrogates the value and meaning of the concept of intangible heritage as defined in the Convention for the Safeguarding of Intangible Cultural Heritage established by UNESCO in 2003 as an embodied practice and from a decolonial perspecti
Externí odkaz:
https://doaj.org/article/5d326ff2557d4d3c8ad9738e90305856
Autor:
Daniela Sacco
Publikováno v:
Mimesis Journal, Vol 12, Iss 1, Pp 73-90 (2023)
The controversy that erupted following the accusation of cultural appropriation triggered between 2018 and 2019 by Robert Lepage’s plays SLĀV and Kanata is analysed in the Canadian context and in the political and cultural specificity of Quebec. F
Externí odkaz:
https://doaj.org/article/5ac4b6de177d42fc92fa4ae6342df337
Autor:
Daniela Sacco
Publikováno v:
Itinera, Iss 20 (2020)
Observing the phenomenon of cultural appropriation in a case of theatre: Kanata the controversial spectacle by the Québecois Robert Lepage raises issues of aesthetics. The specific cultural, political and social context, together with the singularit
Externí odkaz:
https://doaj.org/article/d9d866a97a774ea8bec90a2e022c1092
Autor:
Daniela Sacco
Publikováno v:
Aisthesis, Vol 11, Iss 1, Pp 181-192 (2018)
The fruitful intellectual exchange between Aby Warburg and Ernst Cassirer revolves around the concept of “symbolic function”. In particular, the concept of function that emerges from Cassirer’s early volume, Substance and Function (1910), can b
Externí odkaz:
https://doaj.org/article/0af39ce6ed374e3b9bfd3540dca21445
Autor:
Daniela Sacco
Publikováno v:
Itinera, Iss 17 (2019)
The dramaturgical principle of montage has a crucial importance in the mechanism of transposition from the novel to the staging and also includes the operations of quotation and translation. Heiner Müller’s transposition of the Liaisons dangereuse
Externí odkaz:
https://doaj.org/article/ce83e86c9e1a44abb6e3be14f4992c8f
Autor:
Daniela Sacco
Publikováno v:
Percées, Iss 1-2 (2019)
Cet article analyse Alexis. Una tragedia greca, le spectacle de la compagnie italienne Motus présenté à Montréal dans le cadre du Festival TransAmériques (FTA) en juin 2012. La réflexion est concentrée sur l’opération métathéâtrale et do
Externí odkaz:
https://doaj.org/article/b7f7c9dceffe471e99da824f16bba023
Autor:
Daniela Sacco
Publikováno v:
Aisthesis, Vol 8, Iss 2, Pp 59-75 (2015)
An excerpt from Sergei M. Eisenstein's memoirs describing a night visit to the museum of Chichén Itzá in Mexico is set forth as a real life example reflecting, both from a visual and theoretical perspective, the architecture of Aby Warburg's Bilder
Externí odkaz:
https://doaj.org/article/a7e50ffcf29e4e98aee4fcb22357bf4b
Autor:
Antonio Sacco, Gino Vonghia, Francesco Giannico, Daniela Sacco, Vincenzo di Martino, Anna Caputi Jambrenghi, Maria Antonietta Brescia
Publikováno v:
Italian Journal of Animal Science, Vol 1, Iss 2, Pp 151-158 (2010)
In recent years, increasing application of nuclear magnetic resonance (NMR) spectroscopy in the study of the agricultur- al food products has been remarked, thanks to the advantages of this technique over other conventional analytical tech- niques.
Externí odkaz:
https://doaj.org/article/fb4475b669f3473b84c57283ec69b564
Autor:
Daniela Sacco
Publikováno v:
Itinera, Iss 7 (2014)
Externí odkaz:
https://doaj.org/article/fa8d7bec298b48f285fb88b663c0a666
Autor:
Daniela Sacco
Publikováno v:
Cultural Inquiry ISBN: 9783965580275
Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory, ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini, Cultural Inquiry, 21 (Berlin: ICI Berlin Press, 2022), pp. 131–40
Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory, ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini, Cultural Inquiry, 21 (Berlin: ICI Berlin Press, 2022), pp. 131–40
Theatre, because of its ability to represent through restaging, would seem to be the quintessential platform for reenactment. The Orestea (una commedia organica?) by R. Castelluci and Socìetas Raffaello Sanzio, restaged at the Paris Automne Festival
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5c4b808e10d01db0ef5db24f7fd3e3ed
http://publikationen.ub.uni-frankfurt.de/files/67780/Sacco_reenactment-in-theatre.pdf
http://publikationen.ub.uni-frankfurt.de/files/67780/Sacco_reenactment-in-theatre.pdf
