Zobrazeno 1 - 10
of 24
pro vyhledávání: '"Daniel Mourenza"'
Autor:
Daniel Mourenza
Publikováno v:
Mistral, Vol 3, Iss 1, Pp 124-125 (2023)
Externí odkaz:
https://doaj.org/article/d7ff502d151647ce82fe55b0531f797c
Autor:
Daniel Mourenza Urbina
Publikováno v:
Revista Teknokultura, Vol 10, Iss 3 (2013)
El argumento que defiendo en este artículo es que las teorías que Walter Benjamin desarrolló sobre tecnología nos pueden ayudar a entender mejor las posibilidades históricas y utópicas que las nuevas tecnologías ofrecen en relación a la forma
Externí odkaz:
https://doaj.org/article/963ac169393342548bc6384707d3eb0e
Autor:
Daniel Mourenza
Walter Benjamin is today regarded as one of the leading thinkers of the twentieth century. Often captured in pensive pose, his image is now that of a serious intellectual. But Benjamin was also a fan of the comedies of Adolphe Menjou, Mickey Mouse, a
Autor:
Connie L. Scarborough, Sean T. Perrone, Gonzalo Velasco Berenguer, Jeremy Roe, Toni Dorca, Katherine O. Stafford, Alison Ribeiro de Menezes, Samuel Amago, Stuart Davis, Carla Rahn Phillips, Daniel Mourenza, Kathryn Lehman
Publikováno v:
Bulletin of Spanish Studies. 98:151-167
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7ffec6e986203a017055ccd37fd815cb
https://doi.org/10.1080/14753820.2021.1893549
https://doi.org/10.1080/14753820.2021.1893549
Autor:
Daniel Mourenza
Publikováno v:
Walter Benjamin and the Aesthetics of Film ISBN: 9789048529353
This chapter contextualizes Walter Benjamin’s film writings in relation to his concept of ‘anthropological materialism’. It argues that some concepts that are central to his writings on film, such as ‘collective body’, ‘second technology
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::bb977bb380140f1ed461fbf74550b741
https://doi.org/10.1017/9789048529353.002
https://doi.org/10.1017/9789048529353.002
Autor:
Julián Daniel Gutiérrez-Albilla, Luis Duno-Gottberg, Mary Farrelly, Walescka Pino-Ojeda, Clara Guillén Marín, Albert Elduque, Daniel Mourenza, Santiago Lomas Martínez, Santiago Fouz-Hernández, Jeremy Roe, Janis A. Tomlinson, Miriam Margarita Basilio, Carlos Ferrer Barrera, Paulo Pepe, Nathan J. Timpano
Publikováno v:
Bulletin of Spanish Visual Studies. 4:153-174
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9b97a9adbb723448b8836df582d44967
https://doi.org/10.1080/24741604.2020.1706975
https://doi.org/10.1080/24741604.2020.1706975
Autor:
Mirna Vohnsen, Daniel Mourenza
This edited volume offers a wide-ranging picture of Argentine women filmmakers'contribution to the film industry from the 1980s to the present by bringing together the work of highly acclaimed and emerging directors. Through thirteen critical essays
Autor:
Daniel Mourenza
Walter Benjamin is today regarded as one of the leading thinkers of the twentieth century. Often captured in pensive pose, his image is now that of a serious intellectual. But Benjamin was also a fan of the comedies of Adolphe Menjou, Mickey Mouse, a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b4fe8f3dd134f320219b08a1954001cb
https://doi.org/10.1017/9789048529353
https://doi.org/10.1017/9789048529353
Autor:
Daniel Mourenza
Publikováno v:
Walter Benjamin and the Aesthetics of Film ISBN: 9789048529353
Walter Benjamin and the Aesthetics of Film
Walter Benjamin and the Aesthetics of Film
This chapter addresses Walter Benjamin’s writings on Charlie Chaplin as a project to rehabilitate allegory in the 20th century. This project is evaluated in connection with Kafka and Brecht, since Benjamin approached all of these figures through th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1b8e4824f221f5b5b4ef4c386f761c1d
https://doi.org/10.5117/9789462980174_ch04
https://doi.org/10.5117/9789462980174_ch04