Zobrazeno 1 - 7
of 7
pro vyhledávání: '"Daniel K. S. Walden"'
Autor:
Daniel K. S. Walden
Publikováno v:
Journal of Music Theory. 65:171-183
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0b084aa32480c4e6154c245b27080c5e
https://doi.org/10.1215/00222909-9124774
https://doi.org/10.1215/00222909-9124774
Autor:
Daniel K S Walden
Publikováno v:
Early Music. 49:456-458
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d7e1be16e0ffa4210623ec728defcebe
https://doi.org/10.1093/em/caab050
https://doi.org/10.1093/em/caab050
Autor:
Daniel K S Walden
Publikováno v:
Early Music. 46:535-538
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6fff933170b5d3d1705e3b6cfa0fae61
https://doi.org/10.1093/em/cay057
https://doi.org/10.1093/em/cay057
Autor:
Daniel K. S. Walden
Publikováno v:
History of Humanities. 2:327-344
In 1852, the theorist Johanna Kinkel urged musicians to “emancipate the quartertone [for] a new world of sound!” Her call to arms was quickly countered by Wolfgang Heinrich Riehl, who denigrated such “enharmonic” sounds as “effeminate” in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::74239a29eb79d72f225efea210333479
https://doi.org/10.1086/693317
https://doi.org/10.1086/693317
Autor:
Daniel K. S. Walden
Publikováno v:
Early Music History. 34:207-228
This article discusses a full-page schematic diagram contained in a twelfth-century manuscript of Boethius’ De institutione arithmetica and De institutione musica from Christ Church Cathedral, Canterbury (Cambridge University Library MS Ii.3.12), w
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e1eb0246abb895358b516784f113cc4c
https://doi.org/10.1017/s0261127915000017
https://doi.org/10.1017/s0261127915000017
Autor:
Daniel K S Walden
Publikováno v:
Early Music. 42:141-143
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c9ab4b6462a8ffcb2cd80ea8374ff55e
https://doi.org/10.1093/em/cau016
https://doi.org/10.1093/em/cau016
Autor:
Daniel K. S. Walden
Publikováno v:
Music Theory Online. 16
[1] Felix Mendelssohn and Paul Hindemith, composing about one hundred years apart, integrated visual elements, including drawings and illustrated notations, into musical manuscripts they designed as gifts for women they admired. The two documents, il
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::653493395cb462a965c2a3520e96d661
https://doi.org/10.30535/mto.16.3.3
https://doi.org/10.30535/mto.16.3.3