Zobrazeno 1 - 10
of 28
pro vyhledávání: '"Dani Cavallaro"'
Autor:
Dani Cavallaro
Austrian symbolist painter Gustav Klimt (1862-1918) expressed in his work a fascination with the liminal worlds that underpin his figures and landscapes. His art echoes different styles and traditions yet he has no obvious predecessors or disciples.
Autor:
Dani Cavallaro
English painter John William Waterhouse (1849-1917) communicates his aesthetic vision through his use of color. Throughout his career, he experimented with color as an element with seemingly spatial qualities. His works have an unusual formalism--fig
Autor:
Dani Cavallaro
This study explores the relationship between synesthesia--the experience of a sensation in one perceptual domain triggering a sensation in another perceptual domain--and the arts (including painting, photography, music and literature). Its aim is two
Autor:
Dani Cavallaro
Kyoto Animation, a studio with very humble beginnings, has gained recognition the world over as a uniquely inspired and inventive enterprise. This book examines Kyoto Animation's philosophy and creative vision with close reference to its anime. It fo
Autor:
Dani Cavallaro
Anime, hand-drawn or computer-animated Japanese cartoons, appears in television series, films, video, video games, and commercials, and represents most genres of fiction. This critical study explores anime's relationship with art from a twofold persp
Autor:
Dani Cavallaro
French Feminist Theory offers an introduction to the key concepts and themes in French feminist thought, both the materialist and the linguistic/psychoanalytic traditions. These are explored through the work of a wide range of theorists: Simone de Be
Autor:
Dani Cavallaro
The Gothic Vision examines a broad range of tales of horror, terror, the uncanny and the supernatural, spanning the late-eighteenth century to the present, and of related theoretical approaches to the realm of dark writing. It argues that such narrat
Autor:
Rebecca Mitchell, Helen Bradley Foster, Pamela Church-Gibson, Margaret Maynard, James Hall, Vicki Karaminas, Gwen O’Neal, Ted Polhemus, Valerie Steele, Lou Taylor, Karen Tranberg Hansen, Ruth Barnes, Claudine Griggs, Michaele Thurgood Haynes, Anne Brydon, Sandra Niessen, Dani Cavallaro, Alexandra Warwick, Judith Perani, Norma H. Wolff, Linda B. Arthur, Paul Jobling, Fadwa El Guindi, Thomas S. Abler, Linda Welters, Kim K.P. Johnson, Sharron J. Lennon, Barbara Burman, Annette Lynch, Antonia Young, David Muggleton, Nicola White, Brian J. McVeigh, Shaun Cole, Kate Ince, Ali Guy, Eileen Green, Maura Banim, William J. F. Keenan, Joanne Entwistle, Elizabeth Wilson, Leigh Summers, Paul Hodkinson, Leslie W. Rabine, Michael Carter, Ann Marie Leshkowich, Carla Jones, Kim K. P. Johnson, Susan J. Torntore, Joanne B. Eicher, Helen Foster Bradley, Donald Clay Johnson, Eugenia Paulicelli, Charlotte Suthrell, Irene Guenther, Yuniya Kawamura, Patricia Calefato, Ruth Barcan, Samantha Holland, Alexandra Palmer, Hazel Clark, Regina A. Root, Patricia A. Cunningham, Jennifer Craik, Alison L. Goodrum, Mitchell D. Strauss, Catherine M. Roach, Marybeth C. Stalp, Jonathan S. Marion, Dunja Brill, Juanjuan Wu, Brent Luvaas, Jianhua Zhao, Eric Silverman, Karen Hansen, D. Soyini Madison, Maria Mellins, Lynne Hume, Marie Riegels Melchior, Birgitta Svensson, Masafumi Monden, Alfonso McClendon, Phyllis G. Tortora, Barbara Brownie, Danny Graydon, Adam Geczy, Heike Jenss, Jenny Lantz, Louise Crewe, Sheila Cliffe, Abby Lillethun, Therèsa M. Winge, Jenny Hall
Through object-based case studies of garments from the ancient past through to the 21st century, Margaret Maynard reveals the countless ways the temporal is woven into our attire. From the physical effects of age on garments to their changing cultura
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0587c9c48af37d21ff4dd9defc33d9be
https://doi.org/10.5040/9781350032781
https://doi.org/10.5040/9781350032781
Autor:
Rebecca Mitchell, Jenny Hall, Therèsa M. Winge, Linda Welters, Sheila Cliffe, Louise Crewe, Barbara Brownie, Jenny Lantz, Brent Luvaas, Heike Jenss, Yuniya Kawamura, Adam Geczy, Phyllis G. Tortora, Alfonso McClendon, Masafumi Monden, Marie Riegels Melchior, Lynne Hume, Maria Mellins, Karen Hansen, Eric Silverman, Jianhua Zhao, Annette Lynch, Juanjuan Wu, Joanne Entwistle, Dunja Brill, Jonathan S. Marion, Marybeth C. Stalp, Catherine M. Roach, Alison L. Goodrum, Jennifer Craik, Regina A. Root, Alexandra Palmer, Samantha Holland, Ruth Barcan, Patricia Calefato, Irene Guenther, Charlotte Suthrell, Eugenia Paulicelli, Helen Bradley Foster, Kim K. P. Johnson, Sandra Niessen, Michael Carter, Leslie W. Rabine, Paul Hodkinson, Leigh Summers, William J. F. Keenan, Linda B. Arthur, Ali Guy, Kate Ince, Shaun Cole, Brian J. McVeigh, Nicola White, David Muggleton, Antonia Young, Barbara Burman, Kim K.P. Johnson, Thomas S. Abler, Fadwa El Guindi, Paul Jobling, Judith Perani, Dani Cavallaro, Anne Brydon, Michaele Thurgood Haynes, Claudine Griggs, Ruth Barnes, Karen Tranberg Hansen, Lou Taylor, Valerie Steele, Ted Polhemus, Gwen O’Neal, Vicki Karaminas, James Hall, Pamela Church-Gibson, Djurdja Bartlett, Alexandra Warwick, Norma H. Wolff, Sharron J. Lennon, Eileen Green, Maura Banim, Elizabeth Wilson, Ann Marie Leshkowich, Carla Jones, Susan J. Torntore, Joanne B. Eicher, Donald Clay Johnson, Hazel Clark, Patricia A. Cunningham, Mitchell D. Strauss, D. Soyini Madison, Birgitta Svensson, Danny Graydon, Abby Lillethun
Libertine practices have long been associated with transgression and social deviance. This innovative book is the first to focus fully on the relationship between libertinism as a social phenomenon and as a form of fashion. Taking the reader from ear
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::127ea7643a39ad8fca7c424f0c1aa06e
https://doi.org/10.5040/9781350054110
https://doi.org/10.5040/9781350054110
Autor:
Dani Cavallaro
Ranging from Chretien de Troyes to Shakespeare, this study proposes that the chivalric romance is characterized by a centerless structure, self-conscious fictionality and a propensity for irony. The form is tied to historical reality, yet represents