Zobrazeno 1 - 10
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pro vyhledávání: '"Dan Callahan"'
Autor:
Dan Callahan
Crosby, Holiday, Sinatra, Fitzgerald, Garland, and Streisand were the major interpreters of the American songbook, and this is the interlocking story of their lives and careers. Here is the epic tale of how these artists dominated American popular mu
Autor:
Dan Callahan
Publikováno v:
Flip the System US ISBN: 9780429354601
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9b76995dd70996ac747628571e7a1d3b
https://doi.org/10.4324/9780429354601-22
https://doi.org/10.4324/9780429354601-22
Autor:
Dan Callahan
Publikováno v:
The Camera Lies
Hitchcock guided the inexperienced Joan Fontaine through his first American film, Rebecca (1940), going to great lengths to get her into the mood she needed to be in, and he also inspired and controlled a major performance by Judith Anderson as the v
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8b54c177e90a97cca6b9e51e492d93ae
https://doi.org/10.1093/oso/9780197515327.003.0009
https://doi.org/10.1093/oso/9780197515327.003.0009
Autor:
Dan Callahan
Publikováno v:
The Camera Lies
In the six masterpieces in a row that Hitchcock made from 1957 to 1964, the Master drew extraordinary work from every actor in his casts. He carefully molded the performance of Vera Miles as a wife who succumbs to depression in The Wrong Man (1957),
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5cfcdef09ad067a16405bcee4662f6fe
https://doi.org/10.1093/oso/9780197515327.003.0014
https://doi.org/10.1093/oso/9780197515327.003.0014
Autor:
Dan Callahan
Publikováno v:
The Camera Lies
If Young and Innocent (1937) is the weakest Hitchcock film of this period partly because of poor or insubstantial acting from most of its players, then The Lady Vanishes (1938) is the height of his British career in large part due to the lively excel
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0d196eb13aff093265412f969b22f517
https://doi.org/10.1093/oso/9780197515327.003.0008
https://doi.org/10.1093/oso/9780197515327.003.0008
Autor:
Dan Callahan
Publikováno v:
The Camera Lies
Hitchcock’s remaining silent films often suffered from actors who either did nothing in a nothing fashion (the three lead players in The Ring (1927)), actors who posed and indicated like Isabel Jeans in Easy Virtue (1928), or actors who had a sort
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6d74b0e841cc8d67fe15b96130afd259
https://doi.org/10.1093/oso/9780197515327.003.0003
https://doi.org/10.1093/oso/9780197515327.003.0003
Autor:
Dan Callahan
Publikováno v:
The Camera Lies
After the success of Blackmail, Hitchcock was tasked with filming successful plays like Juno and the Paycock (1930) by Seán O’Casey and The Skin Game (1931) by John Galsworthy, and neither of these pictures gave him any real creative leeway. Both
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::59b3a5090befcfc6e0b0326bd26debb0
https://doi.org/10.1093/oso/9780197515327.003.0005
https://doi.org/10.1093/oso/9780197515327.003.0005
Autor:
Dan Callahan
Hitchcock’s first talking film, Blackmail (1929), presented the Master with a dilemma when it came to the performance of his lead actress, Anny Ondra. Blackmail had been shot first as a silent film, but when it was decided to do a sound version, On
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ecaa0da8b409678d958c310e8919b4bc
https://doi.org/10.1093/oso/9780197515327.003.0004
https://doi.org/10.1093/oso/9780197515327.003.0004
Autor:
Dan Callahan
Publikováno v:
The Camera Lies
Hitchcock’s lost second film is represented by various stills where we can see how he carefully deglamorized his star Nita Naldi, who was a star from America. In his third film, The Lodger (1926), which made his reputation, Hitchcock carefully hand
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::630ab9698fec617b4d73358d5c3a15fb
https://doi.org/10.1093/oso/9780197515327.003.0002
https://doi.org/10.1093/oso/9780197515327.003.0002
Autor:
Dan Callahan
Though he was known for saying, “Actors are cattle,” Alfred Hitchcock had highly specific ideas about film acting, which he saw in terms of contrast and counterpoint. Hitchcock was a theorist of acting, which he proved in some of his lesser-known
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::05931c2311bca7335f03490141ab19ed
https://doi.org/10.1093/oso/9780197515327.001.0001
https://doi.org/10.1093/oso/9780197515327.001.0001