Zobrazeno 1 - 10
of 36
pro vyhledávání: '"Dalila Missero"'
Autor:
Dalila Missero
Publikováno v:
VIEW Journal of European Television History and Culture, Vol 12, Iss 24 (2023)
This article discusses the benefits and limitations of the use of digital humanities tools in the context of transnational research in women’s film and television history, with a particular attention to issues of positionality, cross-border circula
Externí odkaz:
https://doaj.org/article/6d2ae0e5895f4f3ea545739fe29386b5
Autor:
Dalila Missero
Publikováno v:
Cinergie, Iss 18, Pp 231-232 (2020)
Externí odkaz:
https://doaj.org/article/ee85c8839cf047089681dd2acccb3b5c
Autor:
Dalila Missero
Publikováno v:
Schermi, Vol 1, Iss 1 (2017)
In quel torno di anni che vide l’approvazione delle due leggi sul cinema, rispettivamente del 1962 e del 1965, l’uscita di alcune commedie a episodi a firma di registi come Mauro Bolognini, Luigi Comencini, Dino Risi ed Ettore Scola fu al centro
Externí odkaz:
https://doaj.org/article/a2e23610904042cd8322f6f3fa2f316a
Autor:
Mauro Giori, Tomaso Subini, Anna Pattuzzi, Alfonso Venturini, Damiano Garofalo, Giuseppe Previtali, Dalila Missero, Fabio Pezzetti Tonion, Giovanni Memola, Livio Lepratto
Publikováno v:
Schermi, Vol 1, Iss 1 (2017)
Il volume contiene alcuni esiti delle ricerche condotte nell’ambito del progetto PRIN 2012 I cattolici e il cinema in Italia tra gli anni ’40 e gli anni ’70, coordinato dall’Università degli Studi di Milano, capitalizzando riflessioni emerse
Externí odkaz:
https://doaj.org/article/66590d97c4d24121819743f00d549180
Autor:
Dalila Missero
Represents the first comprehensive reconstruction of Italian women's film cultures of the 1960s and ‘70s.
Autor:
Dalila Missero
The chapter reconstructs the actions and debates about pornography in the Italian feminist movement. It details on the feminist campaigns against Luis Berlanga’s film “Life Size” (1975), the assaults to the cinema theatres happened in several c
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b985d86b4029cd8ca248155f2136b294
https://doi.org/10.3366/edinburgh/9781474463249.003.0006
https://doi.org/10.3366/edinburgh/9781474463249.003.0006
Autor:
Dalila Missero
This chapter opens the section dedicated to film spectatorship, by offering an overview of the cultural discourses about women’s spectatorship and the trends of cinema-going in post-war Italy. It combines quantitative sources (especially surveys co
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5b5808a942891d499e64c5d96c5afcb9
https://doi.org/10.3366/edinburgh/9781474463249.003.0002
https://doi.org/10.3366/edinburgh/9781474463249.003.0002
Autor:
Dalila Missero
This chapter reconstructs the history of three Italian feminist film festival (Kinomata, le Rassegne del cinema femminista di Napoli e Sorrento, L’Occhio Negato) in the context the movement’s political and cultural agenda. It also analyses some e
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::787a5f1934d19db8dcf97af4eaed15c7
https://doi.org/10.3366/edinburgh/9781474463249.003.0004
https://doi.org/10.3366/edinburgh/9781474463249.003.0004
Autor:
Dalila Missero
This chapter reconstructs the career paths of a group of women students of the Centro Sperimentale di Cinematografia (CSC) who graduated between the 1930s and the 1960s. These trajectories, which often crossed the Italian borders, were impacted by th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1c8871caa73ef2216c9ae3c7ccc7ca5e
https://doi.org/10.3366/edinburgh/9781474463249.003.0011
https://doi.org/10.3366/edinburgh/9781474463249.003.0011
Autor:
Dalila Missero
The introduction outlines the chronological span and methodology of the book, particularly in relation to existent studies in Italian cinema, in New Cinema History and Feminist Film theory. It also looks at the specific challenges of studying women a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6b4f1b159812ab8f6347636aeefbcc24
https://doi.org/10.3366/edinburgh/9781474463249.003.0001
https://doi.org/10.3366/edinburgh/9781474463249.003.0001