Zobrazeno 1 - 10
of 20
pro vyhledávání: '"Dak'Art"'
Autor:
Wallin Wictorin, Margareta (AUTHOR) margareta.wallin-wictorin@lnu.se
Publikováno v:
Third Text. Nov2014, Vol. 28 Issue 6, p563-574. 12p. 2 Color Photographs.
Autor:
Underwood, Joseph1 Joseph.Underwood@Stonybrook.edu
Publikováno v:
African Arts. Winter2014, Vol. 47 Issue 4, p1-6. 4p.
Publikováno v:
Journal of Transnational American Studies, Vol 10, Iss 1 (2019)
For Bisi Silva (1962–2019) Abstract This essay surveys a number of contemporary artworks that address the recent migrations and perilous water crossings of African people to Europe, made by artists of the African diaspora. Paying specific attention
Externí odkaz:
https://doaj.org/article/fb718855f7e64d80a1ad30df15a0ef06
Autor:
Nzewi, Ugochukwu-Smooth C.
Publikováno v:
Nka: Journal of Contemporary African Art; Nov2018, Vol. 2018 Issue 42/43, p96-109, 14p, 10 Color Photographs
Autor:
Ugochukwu-Smooth Nzewi, Thomas Fillitz
What can an art biennale in Dakar, Senegal, tell us about current discourses surrounding the place of art in the world, and in the academic study of anthropology? This volume investigates the Dak'Art biennale, ranked among the world's top 20 biennial
Autor:
Hinderliter, Beth
Publikováno v:
Nka: Journal of Contemporary African Art; Spring2015, Issue 36, p88-93, 6p, 3 Color Photographs
Autor:
Marisa Lerer, Conor McGarrigle
Publikováno v:
Articles
Mansour Ciss Kanakassy (b. 1957) is a Berlin-based Senegalese artist whose practice addresses the legacy of colonialism in contemporary Africa, in particular as it is expressed in the financial systems of the former Francophone colonies of West Afric
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8e4edb8653725a690910bce8ee6cabc1
https://doi.org/10.1080/01973762.2018.1451967
https://doi.org/10.1080/01973762.2018.1451967
Autor:
Thomas Fillitz
Publikováno v:
Anthrovision.
Critical considerations of the impact of biennials on artistic practices worldwide emphasize that they create new hegemonies: biennials produce another canon of contemporary art at a global scale. The main characteristic is art’s insertion into soc
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ba61e911a22539c32d8f73dcaed6b2e1
https://doi.org/10.4000/anthrovision.4841
https://doi.org/10.4000/anthrovision.4841