Zobrazeno 1 - 10
of 11
pro vyhledávání: '"Dafydd Sills-Jones"'
«Documentary in Finland is a needed contribution to the emergent field of documentary production studies, and it sets the direction for further research on small nation documentary film cultures.» (Ilona Hongisto, Professor in Film Studies, Norwegi
Autor:
Dafydd Sills-Jones, Pietari Kääpä
«Documentary in the Age of COVID is a timely and astute volume that affirms and challenges our thinking about how the cultural and technological disruption brought by the pandemic response has upended documentary culture. It is a guiding light for d
Autor:
Dafydd Sills-Jones
Publikováno v:
International Journal of creative media research. 2020
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::af2bf27489589c964c90c8bc7010fcf1
https://doi.org/10.33008/ijcmr.2020.26
https://doi.org/10.33008/ijcmr.2020.26
Autor:
Dafydd Sills-Jones
Publikováno v:
International Journal of Creative Media Research. 1
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::01f4346c9a4b2a031f184dbd3d90794d
https://doi.org/10.33008/ijcmr.2019.05
https://doi.org/10.33008/ijcmr.2019.05
Autor:
Dafydd Sills-Jones, Pietari Kääpä
Publikováno v:
Studies in Documentary Film. 10:89-105
The purpose of this article is dual. Firstly, by introducing and contextualizing its articles and authors, it functions as an introduction to this special edition of Studies in Documentary Film dedicated to contemporary Finnish documentary film. Seco
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::82880ee343ef3ffd7b8363af99f39f0c
https://doi.org/10.1080/17503280.2016.1221661
https://doi.org/10.1080/17503280.2016.1221661
Autor:
Dafydd Sills-Jones
Publikováno v:
Critical Studies in Television: The International Journal of Television Studies. 11:78-95
This article seeks to examine the notion of a ‘history boom’ on UK television (TV) during the second half of the 1990s and 2000s. It does this by sampling the UK TV schedule between 1982 and 2012, presenting material from interviews with leading
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::91a8dadb5509a98730809bb64a8825cd
https://doi.org/10.1177/1749602015619633
https://doi.org/10.1177/1749602015619633
Publikováno v:
Screenworks. 8
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::daae62eba6ecb677bf608ccb239ae342
https://doi.org/10.37186/swrks/8.2/4
https://doi.org/10.37186/swrks/8.2/4
Autor:
Dafydd Sills-Jones
Publikováno v:
Journal of British Cinema and Television. 7:115-130
This article will consider the function of colour archive within the context of a changing televisual landscape, and the changing form of history documentary in the late 1990s and early 2000s. The term ‘history documentary’ is defined here as any
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ec86c6920fcadf1071ee02a2a10f56fb
https://doi.org/10.3366/e174345210900137x
https://doi.org/10.3366/e174345210900137x
Autor:
Dafydd Sills-Jones
Publikováno v:
Regional Aesthetics
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1e7df0ec1f099ee150aed1dca5c6385d
https://doi.org/10.1057/9781137532831.0019
https://doi.org/10.1057/9781137532831.0019
Autor:
Dafydd Sills-Jones
Publikováno v:
Networking Knowledge: Journal of the MeCCSA Postgraduate Network. 1
The speakers at this workshop were experienced media practitioners, who faced the challenges of having a foot in both camps: in that of the media practitioner, and that of the academic researcher of media.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0032862fd90010b4c20cc3ddaeb126cd
https://doi.org/10.31165/nk.2007.11.16
https://doi.org/10.31165/nk.2007.11.16