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pro vyhledávání: '"D'Arienzo, Grazia"'
Autor:
D’Arienzo, Grazia
Publikováno v:
Mimesis Journal; 2023, Vol. 12 Issue 1, p27-42, 16p
Autor:
D’Arienzo, Grazia
Although primarily known for his work as a filmmaker, Atom Egoyan has staged several theatre plays. In his career, theatre and the screen appear to be intertwined into a practice strongly influenced by Samuel Beckett. The artist adapts Beckett’s te
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::442739aeb17c4a80f0f66450d26b56f0
http://hdl.handle.net/11386/4766147
http://hdl.handle.net/11386/4766147
Autor:
D'Arienzo, Grazia
My essay focuses on the Italian theatre of the twenty-first century, examining how digital technology revitalises Samuel Beckett’s non-dramatic work. In particular, I want to explore the collision between live performance and digital devices in the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::63daf2b329a76b74786f18a91a61be25
http://hdl.handle.net/11386/4768406
http://hdl.handle.net/11386/4768406
Autor:
D’Arienzo, Grazia
Ricercatrice presso l’Università Statale di Milano e coordinatrice della Scuola di Nuove Tecnologie dell’Accademia “Alma Artis” di Pisa, Anna Maria Monteverdi è una delle più attente studiose italiane dei fenomeni tecnoperformativi contemp
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::75e91cb7922679b8750a9345cd179f1a
http://journals.openedition.org/mimesis/1953
http://journals.openedition.org/mimesis/1953