Zobrazeno 1 - 10
of 20
pro vyhledávání: '"Cristina, Formenti"'
Autor:
Cristina Formenti
Publikováno v:
NECSUS, Vol 13, Iss 1, Pp 221-241 (2024)
Despite animation techniques being highly material, the environmental impact of animation is understudied. This essay starts bridging the gap by investigating the making of digital animated documentaries through the lens of ecomaterialism. In particu
Externí odkaz:
https://doaj.org/article/3ea4ef597d1c49b2a24f3002532f6a6c
Publikováno v:
Cinergie, Iss 21, Pp 21-33 (2022)
Weaving together celebrity studies and film festival studies, the essay underscores how the COVID-19 pandemic has changed the stars’ presence, mode of appearance, and employment within the rituals of film festivals and awards ceremonies. It also to
Externí odkaz:
https://doaj.org/article/0e7e77ccf3e440bca1a429bd8267ca17
Publikováno v:
Cinergie, Iss 21, Pp 1-6 (2022)
This special section of the issue was published with the support of the PRIN 2017 F-ACTOR: Forms of Contemporary Media Professional Acting. Training, Recruitment and Management, Social Discourse in Italy (2000–2020), financed by MUR. The issue focu
Externí odkaz:
https://doaj.org/article/6c5d2e9a9f974919a663a815b561fa29
Autor:
Cristina Formenti, Laura Rascaroli
Publikováno v:
Schermi, Vol 2, Iss 4 (2019)
Introduction to the issue.
Externí odkaz:
https://doaj.org/article/49bab8d8e7644d3b8dc7bdbeba349407
Autor:
Cristina Formenti, Laura Rascaroli, Ivelise Perniola, Samuel Antichi, Bernadette Luciano, Diego Cavallotti, Andrea Mariani, Laura Busetta
Publikováno v:
Schermi, Vol 2, Iss 4 (2019)
This issue investigates the Italian documentary film with particular attention to the contemporary production. In particular, it maps some of the main influences that have characterized and that characterize today the Italian documentary, analysing t
Externí odkaz:
https://doaj.org/article/b4bf4f37751440c29e9cdb7f7bdf66c1
Autor:
Cristina Formenti
Publikováno v:
Schermi, Vol 2, Iss 4 (2019)
The essay illustrates the various strategies that have been put in place by Sabina Guzzanti in her documentaries and docufictions in order to raise herself to the status of a star-director. As such it shows how she has put the documentary and the doc
Externí odkaz:
https://doaj.org/article/a9a8cf07214146cfa43d4bf0d4621653
Autor:
Raffaele De Berti, Gianluca della Maggiore, Tomaso Subini, Cristina Formenti, Barbara Corsi, Paola Palma, Fabrizio Natalini, Paolo Simoni, Federico Ruozzi, Paola Valentini, Eleonora Recalcati
Publikováno v:
Schermi, Vol 1, Iss 2 (2018)
Il volume contiene alcuni esiti delle ricerche condotte nell’ambito del progetto PRIN 2012 I cattolici e il cinema in Italia tra gli anni ’40 e gli anni ’70, coordinato dall’Università degli Studi di Milano, capitalizzando riflessioni emerse
Externí odkaz:
https://doaj.org/article/6ff97773958e4df48e73ea01b50483a6
Autor:
Cristina Formenti
Publikováno v:
Schermi, Vol 1, Iss 2 (2018)
Il saggio mette a confronto il film Pastor Angelicus (1942) con due pellicole della serie The March of Time: il cinegiornale The Vatican of Pius XII (1940) e il lungometraggio documentario The Story of the Vatican (1941). Si dimostra così come, al f
Externí odkaz:
https://doaj.org/article/6bd4b1e14bef4b9287d75f174b8a5ae8
Autor:
Cristina Formenti
Publikováno v:
Alphaville: Journal of Film and Screen Media, Iss 8, Pp 41-59 (2015)
Due to their clearly imaginary narratives and to the presence of animation itself, animated mockumentaries make the viewer aware of their fictionality from the start. Therefore, these animated works constitute the clearest example of mockumentary bei
Externí odkaz:
https://doaj.org/article/f149dca2ab4b4937a5bdc86953aff850
Autor:
Cristina Formenti
Publikováno v:
Altre Modernità, Vol 0, Iss 11, Pp 163-167 (2014)
A Cinematographic Ode to Life in a Single Shot In conversation with director John Paul Sniadeki1 (10 May 2013) by Cristina Formenti
Externí odkaz:
https://doaj.org/article/d77dcf304ff9413e816394266f7a81a4