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pro vyhledávání: '"Craig Dworkin"'
Autor:
Craig Dworkin
Part art history essay, part experimental fiction, part theoretical manifesto on the politics of equivalence, Helicography examines questions of scale in relation to Robert Smithson's iconic 1970 artwork Spiral Jetty. In an essay and film made to acc
Autor:
Craig Dworkin
The new ways of writing pioneered by the literary avant-garde invite new ways of reading commensurate with their modes of composition. Dictionary Poetics examines one of those modes: book-length poems, from Louis Zukofsky to Harryette Mullen, all str
Autor:
Craig Dworkin
Publikováno v:
Cuadernos LIRICO, Vol 17
Externí odkaz:
https://doaj.org/article/f00922b0bf72419787923ef5f7c585d7
Autor:
Craig Dworkin
Chapter 6 considers Harryette Mullen’s Muse & Drudge (1995), based in part on Clarence Major’s Juba to Jive: A Dictionary of African-American Slang and the American Heritage Dictionary, in the context of the OuLiPo and Mullen’s other poetic eng
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::31b440e5be5b7e1b2bcb1076fc9b8665
https://doi.org/10.5422/fordham/9780823287987.003.0007
https://doi.org/10.5422/fordham/9780823287987.003.0007
Autor:
Craig Dworkin
Chapter 3 focuses on George Oppen’s first two books, the lost 21 Poem (discovered in 2017) and Discrete Series (published in 1934). Considered by critics to be inscrutably gnomic, unrelated, and discontinuous (indeed, “discrete”) a reconstructi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9f0f20fc3032835768a4387a959bb330
https://doi.org/10.5422/fordham/9780823287987.003.0004
https://doi.org/10.5422/fordham/9780823287987.003.0004
Autor:
Craig Dworkin
Chapter 2 shifts its focus to Zukofsky’s long poem “A”, uncovering oblique political references to contemporaneous tensions in Jerusalem, the Triangle Factory fire, and African American musical revues. In addition to discovering the source of Z
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::97b23824a04d36ec514b69508ea2d97b
https://doi.org/10.5422/fordham/9780823287987.003.0003
https://doi.org/10.5422/fordham/9780823287987.003.0003
Autor:
Craig Dworkin
Chapter 1 focuses on Louis Zukofsky’s 1928 Thanks to the Dictionary, which retells the Biblical story of King David through language drawn primarily from a single dictionary page. Previous critics have been unable to locate the particular editions
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::73e80a5c39f1bbb940f037f1687ea056
https://doi.org/10.5422/fordham/9780823287987.003.0002
https://doi.org/10.5422/fordham/9780823287987.003.0002
Autor:
Craig Dworkin
Chapter 4 focuses on two books: The Cave, by Clark Coolidge and Bernadette Mayer (published in 2009), and Coolidge’s The Maintains (1974). Attending to the collaborations’ claims of negative ontology and the shifting nexus of particular terms rev
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::54022d9485b3a75bf68bf9a780e1a84b
https://doi.org/10.5422/fordham/9780823287987.003.0005
https://doi.org/10.5422/fordham/9780823287987.003.0005
Autor:
Craig Dworkin
The introduction summarizes the scope of the project and its methodologies, arguing for a critically descriptive reading practice. Looking at artists’ books, conceptual writing projects, and texts by writers as diverse as Marcel Duchamp, Solmaz Sha
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a67154e13057c95c4ea09982e6dea527
https://doi.org/10.5422/fordham/9780823287987.003.0001
https://doi.org/10.5422/fordham/9780823287987.003.0001